Gay Oriental

Graduate Student Profile: Re'ee Hagay

Editor's note: We asked our first-year Ph.D. pupil Re'ee Hagay to tell us a bit regarding what brought him to Cornell. He writes:

I keep in mind being 12 years of ages in my daddy's vehicle en route to our weekly visit in my grandparents' home in Holon, Israel, as we paid attention together to the Beatles' cds, consisting of George Harrison's tracks with the sitar, tambura, tabla as well as other instruments that tinted the music with Indian audio. My daddy informed me that these noises evoked his memories of Iraqi music he had listened to throughout family members parties as a kid, and also explained this link by mentioning the relative geographical distance between Iraq and also India. This shared listening experience pushed me to think about the concrete and also fictional relations between sounds, memories, and also geographical rooms, inquiries that are still at the heart of my scholastic job.

I have actually been checking out the continuous engagement of Iraqi-Jewish cantors with Arabic songs. The cantors' memories disclose modern-day as well as ancient layers of the past, when multi-directional thrashings of migration between Baghdad, Jerusalem as well as Cairo were taken. The cantors' descriptions of their experience in Arabic music even more overlap with doctrinal discussions of diaspora and exile-- in particular, by means of return to the grief-stricken howling of the Jewish exiles upon their arrival to the rivers of Babylon, as shown in Psalm 137. Seems of grieving remained to preoccupy my study in an extra recent task devoted to the bio of the late Yemenite-Israeli singer-songwriter, Ahuva Ozeri. As a kid, Ozeri was sent out by her mother to function as a mourner in residences of departed people in Tel Aviv's Yemenite quarter. The grieving remained to form Ozeri's musical practice in its altering forms and also contexts. Developed in South Tel Aviv, Ozeri's songs originated from a range of traditions coming from various other locations of the international south. These included blues and also gospel from the southerly United States, South Oriental movie music, and also mid-twentieth century prominent Egyptian tunes.

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