G.A.P. Dramatization, or The Gay Eastern Princess Mosts Likely To the USA
This chapter offers scenarios of conquest in Gay Asian Performance (VOID) drama-- a mock assemblage of word play heres, rebellious Asian recognitions, as well as queer acts on improper courses and cartographies-- which is parodied with the number of the rice queen who is seriously in love with the diasporic gay Eastern man in the USA standing in for the indigenous boy. The circumstances' genuine as well as parodic native-ethnic transmogrification points to the racial heritages of the queer dyad in the postcolonial and diasporic borderzones of Singapore, China, Thailand, and also Asian America. Such a campy analysis opens up a new set of concerns regarding the \"bewitching national politics\" of \"transcultural magic\", and also the mutually \"constitutive spells\" that the dyad \"casts\" in the production of art in the Asias.
Keywords: Gay Oriental Princess, native-ethnic transmogrification, diasporic borderzones, transcultural magic, Asias
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