This phase presents situations of occupation in Gay Asian Efficiency (VOID) dramatization-- a simulated assemblage of word play heres, wayward Eastern recognitions, and queer acts upon improper paths as well as cartographies-- which is parodied via the figure of the rice queen that is seriously in love with the diasporic gay Asian male in the United States standing in for the indigenous child. The situations' real as well as parodic native-ethnic transmogrification indicate the racial traditions of the queer dyad in the postcolonial and also diasporic borderzones of Singapore, China, Thailand, and Asian America. Such a campy reading opens up a brand-new set of concerns regarding the \"bewitching national politics\" of \"transcultural magic\", and also the equally \"integral spells\" that the dyad \"casts\" in the manufacturing of art in the Asias.
Keywords: Gay Eastern Princess, native-ethnic transmogrification, diasporic borderzones, transcultural magic, Asias
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