Gay Sexuality in Singaporean Chinese Popular Culture: Where Have All the Boys Gone?
In using a discerning survey of gay sexuality in Singaporean Chinese popular culture, especially television, movie, and also cinema, this post takes a look at exactly how the idea of the liminal functions as a reliable essential trope to involve with a shifting presence\/absence materiality of gayness in these depictions. It additionally suggests that this presence\/absence issues of the concentrically circular power structure of social manufacturing as well as intake developed by the Singapore media censorship design. The contradictions installed in censorship methods as well as gay social depictions inevitably arise out of Singapore's wish to present itself as a culturally open as well as vibrant culture in its quote to be component of the international capitalist network, while the nation continues to hold onto its archaic antisodomy laws acquired from the British Indian Penal Code.
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