Ten upliftg and powerful tal reunt the liv of everyday hero wh no special powers except strivg for their own inti whether they are gay, bi or transgenr, fightg for the right to be themselv.
Contents:
- GAY AND BISEXUAL MALE TEENS E ADULT DATG APPS TO FD SENSE OF MUNY, STUDY SHOWS
- WATCH A TEENAGE BOY FD A STACK OF GAY PORN IN ADAM BARAN’S ADORABLE SHORT FILM ‘JACKPOT’
- AT 18, HE HAD CONSENSUAL GAY SEX. MONTANA WANTS HIM TO STAY A REGISTERED OFFENR.
- GAY TEENAGE PORN VIOS
- GAY CUTE PORN VIOS
- THE 10 BT FREE GAY ONLYFANS CREATORS OF 2023
- GOG BAREBACK: TIME AND AGG A GAY-FOR-PAY PORN CAREER
- UNSEEN, PART 3: POPULAR GAY DATG APP GRDR POS EXPLOATN RISK TO MORS
- 10 GREAT BRISH GAY FILMS
- GAY 18 BOY PORN VIOS
- MORE THAN HALF OF GENERATN Z GAY, BISEXUAL TEENAGE BOYS REPORT BEG OUT TO PARENTS
- 7 BT GAY EXPERIENC BANGKOK
GAY AND BISEXUAL MALE TEENS E ADULT DATG APPS TO FD SENSE OF MUNY, STUDY SHOWS
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Lol NewsMIAMI – The diplomatic ti between the Uned Stat and Jamai uld soon be jeopardy.There are reports that Jamai is refg to accred the spoe of a gay Amerin diplomat.“Our culture is not really acceptg of ,” said Renae Stevens, who was visg the Jamain nsulate Miami Wednday.Attorney Wayne Goldg is an advisor to Jamai’s ernment.“The whole ia of legislatn to legalize same-sex marriag, I thk they still have a long way to go,” he said. A new Northwtern Medice study (published the Journal of Adolcent Health) found that more than 50 percent of sexually active gay and bisexual boys ag 14 to 17 e datg (also known as hook-up) apps like Grdr (21+) and Scff (18+) to fd new iends and was gathered through onle surveys taken by 200 sexually experienced teens the Uned Stat and is the first known study on the topic. SiegedSec, a self-scribed group of gay furry hackers, took s skills to state ernments late June, breachg agenci across five stat and releasg a wealth of data.The stat targeted on June 27 were Texas, Nebraska, Pennsylvania, South Dakota, and South Carola.
Is a project by The Ltle Black Gallery, curated by -founr Ghisla Pasl, to promote queer and gay photography.It now reprents more than 60 photographers om 25 untri - cludg Cha, India, Iran, Poland, Rsia and Turkey where gay rights are reprsed and queer liv unr nstant threat. Worst of all, though, the shame attached to the memori of those first tim marred how I would approach sex for was listeng to Years & Years’ new song “Sanctify, ” and seeg the band’s out gay sger Olly Alexanr talk about how the song was spired his sexual trysts wh straight men, that I realized that the feelgs are way more mon than people let on. Sure, I know all about gay guys havg sex wh straight guys, but felt reassurg to see him scribe the “sat and sner role” he embodied durg those experienc, and to hear the uncertaty and melancholy weaved to the than anythg though, was the repeated lyril mantra of “I won’t be ashamed.
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'Authentilly myself'Ray said he had also stggled growg up gay the 1970s and 80s England, which was "tough" said his relig school "dmmed to you, 'you are gog to hell'" Adam returned home to Sdi Arabia, spe beg more than 3, 000 apart and later rtricted by the Covid-19 panmic, they kept touch daily and the romance years ago, Ray proposed on a vio ll and after succsfully applyg for a UK fiancé visa, Adam moved to Manchter December 2022. Adam said he had been aaid to even wear lours his home untry so the first thg he did when he moved was start to "grow my mullet, got my ears pierced and booked appotments for tattoos" relled how, ntrast, one of his gay iends Sdi had been forced to marry a woman, addg: "It has ed not only his life but the life of his wife. Through this reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback—siar transns of which have bee wispread across the gay porn landspe the terveng years between the 2015 Johnny Rapid Go Bareback event and the prent day, thanks no small part to advancements HIV preventn technologi.
Keywords: Agg, Bareback, Cultural studi, Gay-for-pay, Gay pornography, Johnny RapidIntroductnJohnny Rapid began his porn reer at the start of the 2010s as a h-faced 18-year-old, shootg scen wh Boys First Time and Bkake Boys before signg wh Men as an exclive and releasg his first scene November 2011.
1 He was also named as the send most searched for gay porn star Pornhub’s 2017 “Year Review” annual analytics report (beaten to the top spot by relative new-er William Seed, also a Men exclive)2 and was the 2017 recipient of Str8UpGayPorn’s Bt Gay-4-Pay Performer award. Through reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback; siar transns of which have bee wispread across the gay porn landspe the years that have ticked over sce the 2015 Johnny Rapid Go Bareback event and our prent day (see Brennan, 2020a)—due to the wispread mastreamg of bareback mercial gay porn, which has been buoyed no small part by advancements HIV preventn Rapid Go BarebackJohnny Rapid’s bareback but served as the lnch event for Bromo; a se that shared a parent pany (MdGeek) wh Sean Cody and Men, the latter two s that 2018 held the distctn of beg the first and send most equented sourc of gay porn on the web, rpectively (Brennan, 2018).
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I observe that while Rapid’s first-time bareback performance is marketed as a up for viewers, the general nsens among Str8UpGayPorn’s rearship is more my readg of the disurse will show, the largt proportn of those mentg on the mpaign exprsed a cidly negative viewpot. Especially as this trend relat to the Johnny Rapid Go Bareback Barebackg CoupAnalysis of viewer receptivens to the Johnny Rapid Go Bareback mpaign offers particular sights to the functn of ‘bareback event marketg, ’ and wh the impact that the movement towards a “state of ndomlsns” (Brennan, 2020a, 131) gay porn has had on dience expectatns around what nstut a newsworthy performance—together wh dience views on the ethics of ndomls promotn self.
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Jt as the 2010s hered the equent prentatns of acts that would have been nsired extreme pornography a earlier—such as anal creampi—on s that are generally nsired “vanilla” gay porn (Kiss Nielsen & Kiss, 2015, 132), Morris has himself been forced to gravate towards more extreme portrayals orr to mata his radil reputatn.
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” (see Florênc, 2018) Also, as John Mercer (2017) not, the “first time” vice is “one of the key disurs of youth that is summoned up gay porn, ” (89) which is an unrstandg of the genre that helps expla the stg of Rapid for this particular re of passage. Consirg first the reactns to the news of Rapid’s bareback performance, the failure of Bromo to stir up tert—and for s tend msage to land wh Str8UpGayPorn rears—is surmised by two them; namely: bareback as self now mundane, and Rapid’s bareback but as dangero.
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’” (C55) The more plited of the two them that emerged the wake of the announcement is the healthism 2: As DangeroOf urse, bareback sex was once the norm gay pornography—before the HIV/AIDS era—, and was mpaigns of another kd—namely for safer sex—that have created the opportuni for harsh judgement, even censure, here and more broadly.
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21 We turn now to viewer asssment of the scen of Rapid’s barebackg but, such asssments that were thored the ments sectns of Str8UpGayPorn’s of the Johnny Rapid Go Bareback CampaignFour scen were released as part of the Johnny Rapid Go Bareback mpaign—one per week begng on Augt 6, 2015. It is a view that regniz the potential of the ter promotg certa sexual practic (see Rosenberger et al., 2011); but also, pots to the “risky bs” of a regrsive trajectory followg a perceived cle the threat of HIV—whereby “agast all good medil advice, ” the porn dtry is puttg profs ahead of muny health by “showg healthy lookg people engagg unhealthy behavr, ” and “sendg a bad msage, pecially to young gay men, ” for many of whom porn, is assumed, plays an important role their inty formatn. Not only do nfirm abundant e of pornography by gay men (also see Duggan & McCreary, 2004), but also, of the 20 participants who took part the study, three quarters of those terviewed attributed gay pornography as their primary means of learng about gay sex durg adolcence (Elr et al., 2015, 951) foregog viewer ment is ak to what Alex Carballo-Diéguez and José Bermeister (2004) found their paratively early ntent analysis of ments for and agast barebackg.
Mercer mak the pot that while a theme of homophobia may be seen to unrsre certa scenars—such as sex prison (and perhaps hazg and gay-for-pay narrative settgs as well)—, to label such scenars as homophobic is “far too simplistic and rctive to acunt for the relatively plex range of disurs at play. Scene 3 b an alleged misogynist (Rapid) wh a perceived homophobe (Black) a pairg that those mentg regnize as a meetg of ntroversi:One asshole gettg FUCKED by another how origal (C20)The only upg scene I’d be terted watchg featurg Vadim Black (don’t that make him sound like some chey vampire?
(C29)32In addn to offensive signifieds that adjo the performers’ off-screen liv, one mentator also labels the men as probable racists, prumably le wh the whe-washed nature of much of gay porn:33 “As much as I dislike both of their personali, and that they both might be potentially racist as well, I’m watchg this maly for Vadim. However, what n be gleamed om the disurse regardg class is that Rapid’s gay-for-pay porn inty, bed wh his reputed treatment of women, merg wh his “power bottom” performanc to create a distctly workg-class nstctn that was central to his narrative at the time.
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” (C5) Yet the nsens seems to be that Rapid’s bareback but as an ‘event’ is the scene self together wh the promotnal imag that acpany are cricized as overly staged—“There’s some[thg] cidly unsexy about a group of guys stoppg to pose for the mera mid-fuck” (C14)—, unr erotic—“he’s the most borg and passnls gay porn performer I’ve ever seen, no matter how many dicks he n take at the same time.
For Mark Kiss ( Nielsen & Kiss, 2015) the performance of “double anal peratns, ” and even “graphic cream pi, ” while once an ditor of “‘extreme’ gay pornography” and “relegated to shady, dim backrooms studs” such as TIM, “are now somewhat mon place; perhaps even yawn worthy to pecially jad gay porn nnoissrs. ” ( Nielsen & Kiss, 2015, 126) In other words, for many there is a sire for specific and personally-practised gay sex acts to be exaggerated follows that if bareback is sirable, or perhaps practised as part of a nsumer’s sex life—as recent advanc HIV preventative technologi have ma possible whout beg necsarily acts of ristance—then there is an expectatn that pornography will take this portrayal further.
In fact, Mercer (2017) nomat Rapid as one of three performers who typify “the specific physily and athetic of the boy-next-door and the sexy kid” (85) his monograph on gay porn, which serv to illtrate how Rapid, aged c25 at time of Mercer’s monograph, ntu to enjoy “kid”-oriented appreciatns, spe his age. I acknowledge that the reason Rapid’s reer survived while Lyons’ flounred and soon ceased is likely attributable to a number of factors—cludg a ntued fatuatn wh “straight-actg” performers over more gay-intifiable/effemate on such as Lyons and Lyons’ movement to watersports—erotic ure play—around the same time (an area of gay porn need of greater rearch). As another study of me—to the bareback transns of the most popular sourc of gay porn (see Brennan, 2020a, 131)—reveals, 2010 falls jt shy of a number of high profile bareback adoptns that would e between the Lyons and Rapid buts: late 2011 (Sean Cody and Corb Fisher) and late 2013 (Lus Entertament and Next Door Studs).
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Those who objected to the practice on ethil grounds viewed as ak to celebry endorsements of potentially harmful practic (such as smokg or alhol nsumptn), th nnectg wh a health disurse that is pecially potent given the historilly-charged nnectn between the gay muny and HIV/AIDS. Rather than rcg this to an example of reckls abandon—a posn wh s own pleasur —, I believe that unrstandg n be reached through ntextualizatn and acunt for the cultural formatns and practic that have bee embedd gay culture, and which were shaped by so-lled unsafe sexual practic of the past. Mowlaboc, for example, argued 2007—a time when risk bareback was perceived by gay men as much more real than is today—for the importance of a “fully ntextualized” (218) unrstandg of disurs on bareback—both the hedonistic eedoms felt by proponents and practners of , as well as the rhetoric of s tractors.
” (218)The succs—and srs—rema today my native Atralia of other ‘event marketg’—the public service mpaigns particularly, such as the 1987 Natnal Advisory Commtee on AIDS’ Grim Reaper39—that, my readg, bled gay men-as-origal-disease-rriers wh reapers strikg at the heart of everyday cizens—children clud.
MORE THAN HALF OF GENERATN Z GAY, BISEXUAL TEENAGE BOYS REPORT BEG OUT TO PARENTS
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Ltle wonr, therefore, that the apparent vanquishg of HIV via pre- and post-exposure technologi has served as a rapture event; one that, but sign, keeps lser risks the shadow of public enemy number one—for gay men’s health and their standg the muny at large.
Rapid’s ntued populary at time of wrg (and ls so, but still popular, at time of publitn) is signifint bee bucks received wisdom on the reer trajectory of bottom twks—who tend to retire or fa to obscury by their mid-twenti, pecially when they reprent a certa workg classns (as opposed to performers like Brent Corrigan, whose dtry savvy and nnectedns wh gay culture has assured his ntued relevance).
As HIV and AIDS has bee more of a ‘chronic’ health ndn, and as meditns that seemgly prevent HIV have bee more available and popular, gay men may have re-claimed bareback sex as a sexual practice—certaly, gay pornography has [see, for example, my (Brennan, 2020a) discsn of the change-of-heart, return-to-beg-a-bareback-stud progrsn of dtry heavyweights like Michael Lus, of Lus Entertament (143–145)]. The prent article offers rears some sight to how the reer of a popular performer gay pornography ed ‘gog bareback’ as a means of (re)lnchg a new phase of his reer, particularly as he was begng to ‘age out’ of his ial porn inty as a ‘twk’ performer. Lookg beyond 2015, exampl of a revalized reer n be found Rapid’s leadg role ‘mastream’ gay porn parody films released the wake of his bareback turn—cludg parodi of Pokémon42 and Jt Bieber43 2016, and Pirat of the Caribbean44 and Jtice League45 2017, for example (for a readg of Rapid’s portrayal of the Flash the last of the parodi, see Brennan, 2020b, 279–281).
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In nyg the creampie 2015, was Rapid effectively ristg the “ejaculative evince of the vlence enacted by the phall” (Semerene, 2021, 202); and wh a val—pecially gay—mment to kship and a return-to-bareback practice among gay men; somethg shown the disappotment of those viewg the seri when their hope of beg privy to an pecially timate event by, arguably, the bt-known performer at that time fell short? Each time, however, Rapid has transned a mercially-viable manner that, if anythg, falls behd the momentum of bareback wh mercial gay porn; a momentum that accelerat all of viewg this ntent towards timaci— the receptivens to ejaculat pecially, and personal practic, possibly—more extreme.
”40See Fiske and Hartley, 1978, 176 for a discsn of exnomatn, the evacuatn of a privileged term om the bary system—admtedly, a loose f here, yet one that do help to expla how, through an obssive pursu of HIV (through health mpaigng, and both ternal to and as an opprsive force onto the gay muny) other health risks of ndomls anal sex between men uld be bbed out of nscns, and stay fad, even today. The play, often dismissed by mastream crics but hailed as "funny, sexy, and important" by the gay prs, ran for 140 performanc off-Broadway, then toured to eight ci over ne months, and returned to Broadway starrg the legendary adult film star Casey Donovan the lead role.
Dpe s unprecented succs and acclaim, the play was not officially published until wh the but publitn of the script of the play, this edn clus a foreword by Jordan Schildcrout tled "Tubstrip and The Erotic Theatre of Gay Liberatn", which exam the signifince of the play as one of a wave of erotic gay plays (most of them fotten or lost) that emerged between 1969 and 1974. He went on to have a major reer gay male pornography, directg numero award-wng films between 1989 and 2007, such as More of a Man, Flh & Blood, Dream Team, and Schildcrout is Associate Profsor of Theatre & Performance at SUNY Purchase. For margalized groups, tthful reprentatn film is imperative, even lifavg, and today’s stormy polil climate there’s an urgency for straight cisgenr people to see LGBTQ characters portrayed accurately and unapologetilly — and by people who actually know what LGBTQ life is like bee they live we’re a long way om total clivy and gay movi sans stereotyp, the film dtry has ma recent stris centerg LGBTQ+ characters.
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