Matthew Gong, gay Mormon, reflects on his journey om ner war to ner peace

Contents:

• DID EDWARD I LONGSHANKS HAVE A GAY SON?
• THE STTISH    OPEN/CLOSE ALL FOLRS       WILLIAM WALLACE WILLIAM WALLACE"ALBA GU BRàTH!""EVERY MAN DI; NO MAN EVER REALLY LIV." PORTRAYED BY: MEL GIBSONTHE FILM’S PROTAGONIST, WALLACE IS THE LEAR OF THE STTISH UPRISG AGAST THE ENGLISH. INIALLY RELUCTANT TO FIGHT, HE STARTS A REBELLN AT LANARK AFTER THE MURR OF HIS WIFE, WHICH SPREADS THROUGHOUT STLAND. HE WS A BATTLE AT STIRLG AND LATER SACKS YORK. HOWEVER, HE IS FEATED AT FALKIRK AND GO ON THE N FOR THE NEXT FEW YEARS, BEFORE HE IS EVENTUALLY PTURED AND SENTENCED TO ATH AT THE END OF THE FILM, RENRG HIM A MARTYR. THE ACE: IS A SKILLED WARRR, A GREAT STRATEGIST, AN OMNIGLOT, AND A CHARISMATIC LEAR. ADAPTATNAL NICE GUY: THE REAL WILLIAM WALLACE WAS A B OF A DRILL SERGEANT NASTY, BUT THE FILM, WALLACE IS PICTED AS SOMEWHAT LAIDBACK AS A LEAR WH A SUAL ATMOSPHERE AMONG HIS ARY ENMPMENT. FURTHERMORE, AFTER STIRLG, THE REAL-LIFE WALLACE FLAYED THE ENGLISH MANR'S RPSE AND MA A BALDRICK OUT OF HIS SK (THOUGH WAS RETALIATN FOR HIS FLAYG OF STSMEN). OUTSI OF A PATN, THIS IS NEVER SHOWN, NOR MENTNED. FALLY, THE REAL WALLACE EMPLOYED A RAPE, PILLAGE, AND BURN-STYLE MPAIGN AGAST THE ENGLISH, WHICH IS NOT SHOWN THE FILM, BUT IS THREATENED (AND MAY HAVE OCCURRED OFF-SCREEN WH THE SACKG OF YORK). NEVERTHELS, WALLACE IS STILL PORTRAYED AS VLENT AND MERCILS TO HIS ENEMI. AN ARM AND A LEG: HIS LIMBS ARE SENT TO THE FOUR RNERS OF BRA AS A WARNG. ASSKICKG LEADS TO LEARSHIP: IS MA THE LEAR OF THE STTISH REBELLN AFTER TAKG OUT THE ENGLISH GARRISON AT LANARK, AND IS THEN MA A GUARDIAN OF STLAND AFTER WNG AT STIRLG. BARBARIAN LONGHAIR: JT CHECK OUT THE IMAGE. BATTLE CRY: YELLS “ALBA GU BRàTH!”NOTE WHICH IS STTISH GAELIC FOR "STLAND FOREVER," AND IS A MON PATRTIC SLOGAN. BEFORE THE BATTLE OF STIRLG. BFS: HE WIELDS A CLAYMORE BATTLE. BYRONIC HERO: DOWNPLAYED. WHILE HE IS A GOOD-NATURED PERSON WHO IS ONLY FIGHTG AGAST THOSE WHO WISH TO DO HIS PEOPLE HARM, HE DO MONSTRATE A DISTURBG PACY FOR VLENCE. HE ADMS THAT HE IS A SAVAGE. CALL TO AGRICULTURE: AFTER RETURNG HOME OM THE CSAS, HE TRI TO SETTLE DOWN AS A SIMPLE FARMER AND HOP TO AVOID NFLICT. THIS DON’T LAST LONG. COMPOSE CHARACTER: SEEMS TO HAVE ALSO BEEN BED WH ANDREW MORAY, ANOTHER EARLY LEAR DURG THE WARS OF INPENNCE WHO STARTED HIS OWN SEPARATE UPRISG THE HIGHLANDS, BEFORE FIGHTG WH WALLACE AT THE BATTLE OF STIRLG. HE IS NEVER SHOWN OR MENTNED THE FILM, AND WALLACE SEEMS TO BE LEADG THE ONLY REVOLT STLAND WH HIGHLANRS AND LOWLANRS ALIKE. CEL AND UNUAL DEATH: IS EXECUTED BY BEG HANGED, DRAWN, AND QUARTERED. CSADG WIDOWER: MURRON’S ATH IS WHAT KICKS OFF HIS REBELLN. DARK AND TROUBLED PAST: HIS FATHER AND BROTHER WERE BOTH KILLED BATTLE WHEN HE WAS A CHILD. DEATH GLARE: GIV A VERY CHILLG ONE TO MORNAY BEFORE HE MURRS HIM. DEPATN PRENTATN: HIS HEAD IS DISPLAYED ON LONDON BRIDGE AS A WARNG. DEFIANT TO THE END: HE REF TO BEG FOR MERCY EVEN AS HE IS BEG EVISCERATED, AND STEAD SHOUTS OUT “FREEEEEEDOOOOOOOOOOOM.” ESPE ARTIST: ESP A GARRISON OF SOLDIERS AT LANARK AFTER ASSLTG THEIR MEN, AND ALSO P MORNAY’S GUARDS AFTER MURRG HIM. EXPERIENCED PROTAGONIST: HE BEME A HIGHLY SKILLED WARRR BETWEEN THE PROLOGUE AND HIS RETURN TO STLAND NOT LONG AFTER. FOLK HERO: IS SHOWN TO HAVE BEE ONE STLAND NEAR THE END OF HIS REER, WH A MONTAGE OF MEN TELLG VAR STORI AND LEGENDS OF HIS EXPLOS. FOREGONE CONCLN: DPE THE FILM’S ACCURACI, DO FOLLOW THROUGH PORTRAYG WALLACE FAILG TO OVERTHROW LONGSHANKS OR ENGLISH LE HIMSELF AND HIS EXECUTN AT THEIR HANDS. GENI BISER: IS A BATN OF BARBARIAN HERO AND CULTURED BADASS. GO OUT WH A SE: UPON HIS ATH, HE HAS A VISN OF MURRON, PROMPTG A PEACEFUL SE. HEARTBROKEN BADASS: WALLACE NTU TO DREAM OF MURRON DURG THE WAR, AND LATE THE FILM, LONG AFTER HER EXECUTN, HAMISH IMPLI TO WALLACE THAT HE IS STILL FIGHTG BEE OF HER ATH. THE HERO DI: IS EXECUTED BY LONGSHANKS AT THE END OF THE FILM. HEROIC BSOD: AFTER HE DISVERS ROBERT'S BETRAYAL, HE N DO NOTHG BUT LIE DOWN SPAIR. HISTORIL HERO UPGRA: WHILE UNDOUBTEDLY FAMO AND A HERO STLAND, WALLACE IS PORTRAYED AS MORE FLUENTIAL THE FIRST WAR OF STTISH INPENNCE THAN HE REALLY WAS AT THE EXPENSE OF OTHERS. THE REBELLN DIDN’T START WH HIM AT LANARK BUT STEAD HAD ALREADY BEGUN A YEAR EARLIER WH THEN-KG JOHN BALLL (THOUGH WAS BRIEFLY PUT DOWN). ROBERT THE BCE PLAYS A SENDARY ROLE TO WALLACE, SPE BEG MORE STMENTAL TO THE REBELLN AND HAVG LED A MORE SUCCSFUL MPAIGN (NOT TO MENTN BEG KG OF STLAND). HE ALSO LOOKS UP TO HIM AS A MENTOR OF SORTS, EVEN THOUGH THERE IS NO RERD THAT THE TWO EVEN MET. ANDREW MORAY IS ALSO PLETELY ADAPTED OUT, SPE HAVG ALSO STARTED HIS OWN UPRISG THE HIGHLANDS AND SHARG MAND WH WALLACE AT THE BATTLE OF STIRLG. WALLACE WAS AN IMPORTANT FIGURE THE WAR, BUT NOT TO THE GREE THE FILM PATS HIM AS. THE MOVIE ALSO DOWNPLAYS HIS BTALY PARED TO THE REAL WILLIAM WALLACE. AFTER THE BATTLE OF STIRLG BRIDGE, THE REAL WALLACE HAD AN ENGLISH MANR NAMED HUGH CRSGHAM FLAYED TO MAKE A BALDRICK FOR HIS SWORD, THOUGH THIS WAS ADMTEDLY PARTLY MOTIVATED BY HOW CRSGHAM HAD FLAYED STTISH PRISONERS OF WAR. WALLACE'S RAIDS TO ENGLAND WERE ALSO SIGNIFINTLY MORE SAVAGE AND DISCRIMATE THAN THE MOVIE, WH MANY CIVILIANS BEG KILLED THEM. I DIE FREE: HIS EEDOM QUOTE HIGHLIGHTS THIS. INNOCENCE LOST: WNS THE BODI OF SEVERAL HANGED MEN AS A BOY, CLUDG THAT OF ANOTHER CHILD. SOON AFTER, HIS FATHER AND BROTHER ARE BOTH KILLED BATTLE. I SURRENR, SUCKERS: APPEARS TO BE TURNG HIMSELF TO THE MAGISTRATE, BUT THEN SUDNLY ATTACKS HIS MEN. NOBLE SAVAGE: A MONER OM STLAND WHO FIGHTS FOR HIS HOMELAND AGAST THE KG OF ENGLAND. OFF WH HIS HEAD!: KILLS CHELTHAM THIS WAY. HE IS THEN EXECUTED BY BEHEADG. OMNIGLOT: HE SPEAKS ENGLISH (STS), STTISH GAELIC, LAT, AND FRENCH. POSTHUMO NARRATN: AT THE VERY END OF THE FILM, WALLACE IS HEARD SCRIBG HOW THE STS FOUGHT LIKE WARRR POETS AT BANNOCKBURN, AND WON THEIR EEDOM. "THE REASON YOU SUCK" SPEECH: GIV ONE TO A ROOMFUL OF STTISH NOBL WHO NTUE SQUABBLG SPE THEIR VICTORY AT STIRLG. RELUCTANT WARRR: EARLY ON, HE HOPED TO AVOID WAR AND LIVE AS A SIMPLE FARMER, BUT CIRCUMSTANC CHANGED THIS. NEAR THE END OF THE FILM, HE ADMS THAT HE JT WANTS TO HAVE A HOME AND CHILDREN AND TO LIVE PEACE, AND THE ONLY REASON WHY HE NTU TO FIGHT IS TO GA EEDOM FOR HIS PEOPLE. ROARG RAMPAGE OF REVENGE: HIS ACTNS AT LANARK ARE THIS. ROG SPEECH: GIV A VERY INIC DARE TO BE BADASS SPEECH BEFORE THE BATTLE OF STIRLG TO NVCE HIS RETREATG ARMY TO FIGHT THE ENGLISH. IT WORKS. SCREW THE MONEY, I HAVE RUL!: REF LONGSHANKS' BRIBE. SHROUD MYTH: IT'S APPARENTLY BELIEVED AMONG THE STTISH THAT HE IS A SEVEN-FOOT ONE-MAN ARMY PABLE OF NSUMG THE ENGLISH WH FIREBALLS OM HIS EY, AND BOLTS OF LIGHTNG OM HIS ARSE. SOPHISTITED AS HELL: OWG TO A BATN OF HIS DOWN-TO-EARTH PERSONALY AND HIS TN. SWORD PLANT: HE PS OFF HIS TRIUMPHANT CHEERG AFTER THE BATTLE OF STIRLG WH THIS. THE STRATEGIST: HOW HE BEATS THE ENGLISH AT STIRLG SPE FEWER NUMBERS. TOGETHER DEATH: HAS A VISN OF MURRON JT BEFORE GETTG BEHEAD. THROWG YOUR SWORD ALWAYS WORKS: HE TAK OUT A SOLDIER AT LANARK WH THIS METHOD. TRANQUIL FURY: STOILLY SLS THE SHERIFF’S THROAT. HE IS ALSO EXPRSNLS WHEN HE V MORAY’S FACE . UNSTOPPABLE RAGE: AFTER MURRON IS EXECUTED, HE SWIFTLY CUTS THROUGH THE ENGLISH GARRISON AT LANARK. LATER, AFTER BEG BETRAYED BY TWO NOBL AT FALKIRK, HE QUICKLY AND BTALLY EXECUT THEM. VICTOR ROAR: AFTER WALLACE AND THE STS FEAT THE ENGLISH AT THE BATTLE OF STIRLG (TECHNILLY THE BATTLE OF STIRLG BRIDGE), A BLOODIED WALLACE RAIS HIS BLA HIGH ABOVE HIM AND LETS OUT A BRIEF, YET FIANT ROAR THAT HIS MEN EAGERLY JO WH UNISON. VRLIC BT BUDS: HIS BT IEND IS HAMISH, WHO HE CKS ON THREE SEPARATE OCSNS (THOUGH, ONLY THE LAST ONE WAS DONE OUT OF ANGER), WHILE WALLACE KNOCKS HIM DOWN WH A STONE THROW TO THE HEAD.     ROBERT THE BCE ROBERT THE BCE"YOU BLED WH WALLACE! NOW, BLEED WH ME!""I WANT TO BELIEVE AS HE DO." PORTRAYED BY: ANG MACFADYENA STTISH NOBLE WHO IS A NTENR FOR THE VANT THRONE OF STLAND. HE ADMIR WALLACE BUT IS UNABLE TO TAKE A SI DUE TO THE JEOPARDY WOULD PLACE HIM POLILLY. HE ULTIMATELY STANDS UP FOR HIMSELF AS A LEAR AND LEADS THE STTISH TO VICTORY AT BANNOCKBURN AFTER WALLACE’S ATH. ADAPTATNAL WIMP: HE IS VERY UNSURE OF HIS ALLEGIANCE DURG THE WAR, PREFERRG TO LET HIS OWN FATHER DICTATE HIS POLIL POSNS. IN ANY SE, HIS ARC THE FILM IS ABOUT LEARNG WHAT TAK AND MEANS TO BE A LEAR, AND ’S SHOWN THAT, BY THE END OF THE FILM, HE HAS BEE THE KG HE WAS MEANT TO BE. ARTISTIC LICENSE – HISTORY: LAMPSHAS THIS HIS OPENG NARRATN, POTG OUT THAT ENGLISH HISTORIANS WILL ACCE HIM, THE NARRATOR, OF BEG A LIAR. HE THEN VOK WRTEN BY THE WNERS RPONSE.NOTE DPE THE FACT THAT THE STS WERE THE WNERS, NOT THE ENGLISH. THE ATONER: BOTH AFTER SIDG WH THE ENGLISH AT FALKIRK, AND AFTER UNWTGLY LEADG WALLACE TO A TRAP. BIG "NO!": UPON REALIZG HE HAS WALKED WALLACE TO A TRAP, WHICH DOUBL AS AN OH, CRAP! MOMENT. CALLG THE OLD MAN OUT: VLENTLY NONTS HIS FATHER OVER HIS BETRAYAL AND DISOWNS HIM. DEATH GLARE: GIV ONE TO CRAIG WHILE THEORIZG HOW WALLACE WILL SEEK REVENGE ON BOTH OF THEM. ALSO GIV ONE TO HIS FATHER AFTER LEAVG HIM. HEEL–FACE REVOLVG DOOR: HE REPEATEDLY SWCH ALLEGIANCE BETWEEN THE STTISH AND THE ENGLISH THROUGHOUT THE FILM. HIS LAST SCENE IS HIM ABOUT TO SUBM TO THE ENGLISH, BEFORE CHANGG HIS MD AND LEADG THE STS TO BATTLE. HERO OF ANOTHER STORY: THE FILM’S END ACKNOWLEDG HIS EVENTUAL KGSHIP OF STLAND AND FOR LEADG THE STS TO EEDOM. HISTORIL DOWNGRA: PLAYED WH. HIS ROLE THE FILM IS LARGELY OVERSHADOWED BY WALLACE’S, SPE BEG ARGUABLY THE MORE FAMO FUTURE KG OF STLAND. HOWEVER, HIS IMPORTANCE IS EMPHASIZED BY THE END OF THE FILM WHERE HE LEADS THE STS TO EEDOM. HISTORIL HERO UPGRA: DOWNPLAYED. MANY OF HIS MORE UNRHAND AND SELF-SERVG ACTNS ARE NEVER SHOWN THE FILM, PARTICULARLY HIS THLS MURR OF HIS CHIEF RIVAL COMYN A CHURCH. HE ALSO WAGED A CIVIL WAR AGAST SUPPORTERS OF THE LATE COMYN WHILE FIGHTG THE ENGLISH, FALLY FEATG THEM THROUGH RAPE, PILLAGE, AND BURN OF THEIR LANDS AND SUBJECTS, ALL STSMEN FACT. PREVLY, HE HAD FOUGHT ON THE ENGLISH SI AGAST THEN-KG JOHN BALLL, BEE HE KNEW HE WOULD NEVER BE KG OF STS WHILE BALLL REIGNED. HISTORIL VILLA UPGRA: ON THE OTHER HAND, HE IS SHOWN DOG A FEW THGS THE REAL BCE NEVER DID. HE NEVER ONCE BETRAYED WALLACE OR THE STTISH DURG THE WAR, LET ALONE FIGHTG FOR LONGSHANKS AT FALKIRK. LGHG MAD: OWG TO HIS BRIEF SANY SLIPPAGE, HE LGHS RATHER CREEPILY TO CRAIG WHILE THEORIZ OUT LOUD THAT WALLACE MAY TRY TO KILL HIM. LEEROY JENKS: LEADS THE CHARGE AT BANNOCKBURN. MY GOD, WHAT HAVE I DONE?: HE IS HNTED BY HIS BETRAYAL OF WALLACE, AND SUFFERS A THOAND-YARD STARE AFTER OBSERVG THE RNAGE AT FALKIRK. HE VOWS TO NEVER BETRAY THE STTISH AGA. NARRATOR: FILLS THIS ROLE FOR THE PROLOGUE AND THE EPILOGUE. ROYALS WHO ACTUALLY DO SOMETHG: LEADS THE STS TO BATTLE AT BANNOCKBURN. SANY SLIPPAGE: BRIEFLY UNRGO ONE DUE TO HIS GUILT FOR BETRAYG WALLACE, THOUGH DON’T SEEM TO LAST. SHUT UP, HANNIBAL!: HIS LAST WORDS TO HIS FATHER ARE, "MY HATE… WILL DIE… WH YOU." SUDNLY SHOUTG: "I DON’T WANT TO LOSE HEART!" THIS IS UNFIVABLE!: BEG ED TO PTURE WALLACE IS THE FAL STRAW FOR ROBERT AND HIS RELATNSHIP WH HIS FATHER, WHO BE AD TO HIM AFTER THIS. TOOK A LEVEL BADASS: AFTER NSTANTLY WAVERG ALLEGIANCE AND AVOIDG BATTLE WH THE STS, HE STANDS UP TO HIS FATHER, BEG HIS OWN MAN AND FIRMLY ALLYG HIMSELF WH STLAND, BEFORE LATER BEG KG OF THE STS AND LEADG THEM TO VICTORY AT THE BATTLE OF BANNOCKBURN. TRAGIC KEEPSAKE: WAS ABLE TO RETRIEVE MURRON’S WEDDG CLOTH THAT WALLACE HAD ONCE KEPT MEMORY OF HER FOLLOWG HIS EXECUTN. TRANQUIL FURY: HIS SHUT UP HANNIBAL TO HIS FATHER IS THIS. UNWTG PAWN: ACCINTALLY LEADS WALLACE TO A TRAP, ORCHTRATED BY HIS OWN FATHER. YOUNG FUTURE FAMO PEOPLE: IS PORTRAYED AS STILL A YOUNG STTISH NOBLE, ALBE A NTENR FOR THE THRONE. HE BE KG BY THE END OF THE FILM THOUGH. YOU'RE NOT MY FATHER: SAYS THIS TO THE ELR BCE AFTER DISVERG HIS TREACHERY.     MURRON MACCLANNOUGH MURRON MACCLANNOUGH"I’M DREAMG.""Y, YOU ARE. AND YOU MT WAKE."— WALLACE AND MURRON’S SPIR PORTRAYED BY: CATHERE MCCORMACKA CHILDHOOD IEND OF WALLACE WHO LATER BE HIS WIFE. HER EXECUTN BY THE ENGLISH IS WHAT PROVOK WALLACE’S REBELLN. ATTEMPTED RAPE: SMYTHE TRI TO RAPE HER BEFORE WALLACE STEPS . BETY IS NEVER TARNISHED: AVERTED AND THEN PLAYED STRAIGHT. SHE’S BADLY BLEEDG OM THE MOUTH AFTER HER ATTEMPTED RAPE AND SUBSEQUENT PTURE BY THE ENGLISH, BUT HER EXECUTN IS SHOT SO THAT NOTHG OF HER THROAT-SL IS SHOWN, NOT EVEN A LTLE BLOOD. DEFIANT TO THE END: REFED TO REVEAL WHERE WALLACE PED TO BEFORE SHE IS EXECUTED. SHE ALSO REFED TO BEG OR PLEAD FOR HER LIFE, SPE CLEARLY BEG AAID FOR HER LIFE. ELOPEMENT: MARRI WALLACE SECRET, AGAST HER FATHER’S WISH AND TO AVOID SUFFERG OM PRIMA NOCTA. ESTABLISHG CHARACTER MOMENT: AFTER PARTG THE FUNERAL OF WALLACE’S FATHER AND BROTHER WH HER PARENTS, SHE NOTIC WALLACE STANDG ALONE AND STILL GRIEVG BY THEIR GRAV. SHE THEN BREAKS OM HER PARENTS, GRABS A THISTLE, AND HANDS HIM THE FLOWER TO FORT HIM BEFORE SHE PARTS. THIS WOULD HAVE A PROFOUND EFFECT ON HIM LATER THE STORY. HELD GAZE: WHEN WALLACE RETURNS HOME AFTER 17 YEARS, SHE STAR AT HIM OM A DISTANCE, UNTIL HE MATCH HER GAZE AND STAR BACK. LATER, AFTER HER ATH, HER SPIR REPEATS THIS WH WALLACE BOTH A DREAM AND RIGHT BEFORE HIS ATH. HOPE SPOT: WALLACE NFIRMS TO HIMSELF THAT SHE HAS SAFELY RIDN AWAY. WHEN HE’S NOT LOOKG THOUGH, SHE IS KNOCKED OFF HER HORSE WH A STAFF TO THE CHT. THE LOST LENORE: DPE DYG EARLY, SHE REAPPEARS THROUGHOUT THE REMAR OF THE FILM DREAMS OR VISNS HAD BY WALLACE. MEANGFUL FUNERAL: A SCENE IS DITED TO HER RECEIVG THIS. PARENTAL MARRIAGE VETO: HER FATHER REF TO ALLOW WALLACE TO MARRY HER, PROMPTG THEM TO ELOPE. "SHUT UP" KISS: SHE KISS WALLACE RIGHT AFTER HE PROPOS TO HER. HE ASKS IF THAT'S A Y, WHICH SHE NFIRMS. SLASHED THROAT: HER MANNER OF ATH. SO BETIFUL, IT'S A CURSE: MURRON IS REGARD BY MANY TO BE A VERY BETIFUL WOMAN. HOWEVER, BED WH HER NOCENT NATURE, THIS ALSO ATTRACTS THE UNWANTED ATTENTN OF SMYTHE AND TWO OF HIS SOLDIERS WHO ATTEMPT TO RAPE HER. TOGETHER DEATH: APPEARS BEFORE WALLACE JT BEFORE HIS ATH, SG. TOO GOOD FOR THIS SFUL EARTH: SHE IS SHOWN TO BE THE WARMT AND MOST EMPATHETIC CHARACTER THE FILM, AND SHE IS EXECUTED FOR FIGHTG OFF HER ATTEMPTED RAPIST. TRAGIC KEEPSAKE: HER WEDDG CLOTH BE THIS FOR WALLACE. THE TRAGIC ROSE: OR THISTLE, TO BE EXACT. SHE GIV THIS TO WALLACE DURG THE FUNERAL FOR HIS FATHER AND BROTHER, WHICH HE KEEPS LONG AFTERWARD.     HAMISH CAMPBELL HAMISH CAMPBELL"I ULD CSH YOU, LIKE A WORM." PORTRAYED BY: BRENDAN GLEONWILLIAM WALLACE'S BT IEND AND ONE OF THE STTISH REVOLUTNARI. HE HONORS WALLACE AT BANNOCKBURN BY TOSSG WALLACE'S SWORD AND STARTG A CHANT HIS NAME, BEFORE CHARGG TO BATTLE. BATTLE CHANT: HE LEADS THE CHANT FOR WALLACE AT BANNOCKBURN. THE BIG GUY: IS MORE PHYSILLY IMPOSG THAN WALLACE HIMSELF, AND HIS STRENGTH TO GREAT EFFECT BATTLE. THE BLA ALWAYS LANDS POTY END IN: HE THROWS WALLACE’S SWORD AT BANNOCKBURN FIANCE AGAST THE ENGLISH AND OUT OF RPECT FOR WALLACE'S MEMORY, AND LANDS ON THE GROUND UPRIGHT. THIS DOUBL AS AN ELABORATE SWORD PLANT. BOISTERO BISER: HAS HAD A TENNCY TO START FIGHTS SCE HE WAS A BOY. CAPTA OBV: POTS OUT TO STEPHEN THAT HE IS A MADMAN. DEADPAN SNARKER: “WELL, WE DIDN’T GET DRSED UP FOR NOTHG.” DEATH GLARE: GIV ONE TO WALLACE WHEN THE LATTER IMPLI THAT HE N’T THROW A ROCK WHEN UNTS. EMOTNAL BISER: BE THIS AFTER THE ATH OF HIS FATHER. THE LANCER: TO WALLACE. LEEROY JENKS: KICKS OFF THE CHARGE AT BANNOCKBURN WH A SWORD THROW. MANCHILD: A VERY SUBTLE EXAMPLE THAT DOUBL AS "WELL DONE, SON" GUY. THE MOMENT WALLACE RETURNS TO LANARK, HAMISH, SPE HAVG GROWN UP, MONSTRAT A NEED TO PROVE HIS MANHOOD BY CHALLENGG WALLACE TO ONE. IT SEEMS TO BE PARTICULARLY OUT OF A SIRE TO IMPRS HIS FATHER, WHO NTU TO LL HIM "BOY." HIM ALSO THKG THAT 'S A GOOD IA TO PULL AN ARROW RIGHT OUT OF HIS FATHER'S CHT IS ANOTHER EXAMPLE, WHICH THE ELR CAMPBELL LAMPSHAS. HE EVENTUALLY MATUR OVER THE URSE OF THE REBELLN AND HIS EXPERIENCE BATTLE, WHICH HIS FATHER ACKNOWLEDG BEFORE DYG BY PROCLAIMG HOW PROUD HE IS OF THE MAN HE HAS BEE. MANLY TEARS: CRI UPON THE ATH OF HIS FATHER. SHIP TEASE: BRIEFLY EXCHANG A GLANCE WH NILETTE, ISABELLE'S HANDMAIN. TALK TO THE FIST: ENDS TO ARGUMENTS WH WALLACE WH THIS METHOD. THOSE TWO GUYS: BE SOMETHG LIKE THIS WH STEPHEN. TRAGIC KEEPSAKE: HE KEPT WALLACE’S SWORD AFTER HIS EXECUTN. UNSKILLED, BUT STRONG: AS MONSTRATED, HE IS STRONGER THAN WALLACE, HEAVG A ROCK FARTHER THAN HE N. HOWEVER, HE IS NOT AS EFFECTIVE WH HIS AIM. USE YOUR HEAD: STUNS AN ENGLISH SOLDIER WH THIS MOVE BEFORE THROWG HIM TO A SPIKE. VRLIC BT BUDS: HE IS WALLACE’S BT IEND, AND HE CKS HIM ON THREE SEPARATE OCSNS (THOUGH, ONLY THE LAST ONE WAS DONE OUT OF ANGER), WHILE WALLACE KNOCKS HIM DOWN WH A STONE THROW TO THE HEAD.     CAMPBELL THE ELR CAMPBELL THE ELR"I’VE LIVED LONG ENOUGH TO LIVE EE, PROUD, TO SEE YOU BEE THE MAN YOU ARE. I’M A HAPPY MAN." PORTRAYED BY: JAM COSMOHAMISH’S FATHER AND ONE OF THE REVOLUTNARI WALLACE’S ARMY. HE WAS ALSO A GOOD IEND TO MALLM WALLACE. ACTN DAD: PLAYS THIS ROLE RELATIVE TO HAMISH. ANNOYG ARROWS: SUBVERTED. HE IS BRIEFLY STOPPED BY ONE AT LANARK BUT NTU FIGHTG AFTER SPLTG HALF. THE WOUND IS LATER UTERIZED. BOISTERO BISER: PUNCH THE MAN WHO UTERIZ HIS ARROW WOUND. CROWD CHANT: AFTER WALLACE EXECUT THE SHERIFF OF LANARK, HE LEADS THE CHANT FOR “MACAULISH” AND “WALLACE.”NOTE “MACAULISH” MEANS "SON OF WALLACE" (REFERRG TO WILLIAM'S FATHER) STTISH GAELIC, THOUGH WOULD BE MORE ACCURATE TO WRE AS “MACUALLAIS”, SCE “MACAULISH” DON'T SEEM TO BE AN ACCEPTED ALTERNATE SPELLG. DEATH GLARE: GIV ONE TO THE MAN WHO UTERIZED HIS WOUND BEFORE PUNCHG HIM. THE DREAD: ANYONE WHO KNOWS BETTER KNOWS ’S NOT THEIR BT TERTS TO TAKE A HOT IRON TO HIS WOUNDS. EPIC FLAIL: WIELDS ONE AT FALKIRK. GO OUT WH A SE: DI WH NTENT FOR HIS LIFE AND PRI FOR HIS SON. I DIE FREE: BEFORE DYG, HE STAT HE IS NTENT WH DYG FOR HAVG LIVED HIS LIFE AS A EE MAN. HANDIPPED BADASS: HE LOST A HAND AT STIRLG, BUT DIDN'T STOP HIM OM GOG TO BATTLE WH A SHIELD FIXED ONTO HIS STUMP. LIKE FATHER, LIKE SON: IS A LARGE, BOISTERO, AND TIMIDATG MAN, JT LIKE HAMISH. MA OF IRON: GETS SHOT AT LANARK WH AN ARROW, HAS HIS HAND CHOPPED OFF AT STIRLG, AND IS STCK THE GUT WH AN AXE AT FALKIRK. THE LAST ONE IS WHAT FALLY KILLS HIM. OLD SOLDIER: AN OLD MAN WHO IS ONE OF WALLACE’S MOST EFFECTIVE SOLDIERS, AND SPE THE FACT THAT AGE HAS SLOWED HIM DOWN SOMEWHAT, HE IS STILL ABLE TO TAKE SEVERAL HS. SACRIFICIAL LN: ALONG WH MORRISON, MACGREGOR, AND STEWART, HE IS AMONG THE ONLY NAMED MEMBERS OF WALLACE’S ARMY TO DIE AT FALKIRK. THIS IS MEANT TO UNRSRE THEIR LOSS. SO PROUD OF YOU: HIS LAST WORDS TO HAMISH ARE HOW PROUD HE IS OF HIM FOR THE MAN HE HAS BEE. UNSTOPPABLE RAGE: PLAYED FOR COMEDY. WHEN HAMISH IS ASKED TO UTERIZE CAMPBELL’S ARROW WOUND, HE PASS TO MORRISON, WHO THEN PASS TO ANOTHER MAN. THEY HOLD CAMPBELL DOWN, BUT AFTER HE IS UTERIZED AND SHOUTS PA, THEY LET HIM GO AS HE LUNG AT THE MAN WHO HEALED HIM, CKG HIM. HE THEN ALMOST STANTLY LMS DOWN.     ROBERT THE ELR ROBERT THE ELR"ALL MEN BETRAY... ALL MEN LOSE HEART.""AT LAST, YOU KNOW WHAT MEANS TO HATE. NOW YOU'RE READY TO BE A KG." PORTRAYED BY: IAN BANNENTHE LORD OF ANNANDALE AND ROBERT THE BCE’S FATHER. HE IS SUFFERG OM LEPROSY AND HAS NO CHANCE OF BEG KG OF STLAND, BUT HOP TO ENSURE HIS SON’S CLAIM BY OFFICIALLY SUPPORTG THE ENGLISH. BCH SHEEP'S CLOTHG: HE AT FIRST ACROSS AS ROBERT’S ENFEEBLED YET AMB FATHER, WHO OFFICIALLY SIS WH THE ENGLISH ONLY SO HE N ENSURE HIS SON’S CLAIM TO THE THRONE. LATER, HE BETRAYS WALLACE TO THE ENGLISH, WHICH FURIAT HIS OWN SON. COMPOSE CHARACTER: HIS ROLE PTURG WILLIAM WALLACE IS BASED ON JOHN MENTEH, WHO IS ABSENT OM THE FILM. DON'T LOOK AT ME: INVERTED. HE MANDS HIS SON TO LOOK AT HIM, SPE HIS DISEASE, SO AS TO MAKE A POT. EVIL CHANCELLOR: HE HAS SHAS OF THIS, PECIALLY AFTER HIS TREACHERY IS REVEALED. HISTORIL UGLS UPDATE: THE REAL ROBERT BCE SR. WAS NOT A LEPER. HISTORIL VILLA UPGRA: DOWNPLAYED. THE REAL ROBERT BCE HAD NO PART WALLACE’S PTURE. HOWEVER, HE DID OFFICIALLY SI WH THE ENGLISH LIKE THE FILM, BUT THE FILM VERSN IS DOG SO BEE HE HOP WILL ENSURE HIS SON’S CLAIM, WHILE THE HISTORIL ROBERT BCE DID SO JT BEE HE DIDN’T WANT TO LOSE HIS OWN TL, AND WAS EVEN WILLG TO DISOWN THE YOUNGER ROBERT IF HE SID WH THE ENGLISH. IN ANY SE, WHILE HE OPPOSED THE STS, HE HAD LTLE IMPACT HIMSELF. KARMA HOUDI: HE NEVER RECEIV RETRIBUTN FOR BETRAYG WALLACE, THOUGH HE WILL DIE ALONE OF LEPROSY. ONE-STEVE LIM: ZIG-ZAGGED. HIS HISTORIL UNTERPART WAS NAMED ROBERT BS, AND WHILE THE FILM NFIRMS THAT HE SHAR HIS SON’S NAME, HE IS NEVER ONCE REFERRED TO BY . EVEN THE CREDS SIMPLY REFER TO HIM AS “THE LEPER.” THE POWER OF HATE: INVOK THIS TROPE WHEN HE CLAIMS THAT HIS SON IS NOW READY TO BEE KG. TREACHERO ADVISOR: IS REVEALED TO HAVE SOLD WALLACE OUT BEHD HIS SON’S BACK. VIRLY AMB: ALL OF HIS ACTNS AND SCHEMG ARE TO ENSURE HIS SON’S ASCENSN TO THE STTISH THRONE. WOUND THAT WILL NOT HEAL: HE SUFFERS OM LEPROSY.     CRAIG CRAIG"WE NNOT FEAT THIS ARMY!" PORTRAYED BY: JOHN KAVANAGHA STTISH NOBLE AND AN ALLY OF ROBERT THE BCE WHO BETRAYS WALLACE TO THE ENGLISH. BIG BAD FRIEND: HE APPEARS TO BE BCE’S IEND, BUT IS SECRETLY LEAGUE WH THE ENGLISH. CORPT POLICIAN: DPE BEG STTISH, HE, MORNAY, AND LOCHLAN PROVE TO BE AS BIG AN OBSTACLE FOR WALLACE AS THE ENGLISH. DEPOSE CHARACTER: BOTH HE AND ROBERT THE ELR ARE BASED ON JOHN MONTEH, A STTISH NOBLE WHO WAS RPONSIBLE FOR WALLACE’S PTURE AND NEVER FACED RETRIBUTN AFTERWARD. DIRTY COWARD: HE AVOIDS BATTLE AS MUCH AS POSSIBLE, AND THIS MAY BE HIS MOTIVATN FOR HELPG THE ENGLISH. KARMA HOUDI: DPE HIS ROLE WALLACE’S PTURE, HE STILL REMAS BCE’S SEND--MAND BY THE END OF THE FILM. OH, CRAP!: WHEN LOCHLAN’S BODY FALLS ONTO THE TABLE RIGHT ONT OF HIM. PET THE DOG: WHEN BCE TRI TO STOP THE ENGLISH SOLDIERS ARRTG WALLACE AND THEY TURN ON HIM, CRAIG CHARG TO THE AY AND PULLS BCE TO SAFETY. THE QUISLG: HE EVENTUALLY BETRAYS WALLACE TO THE ENGLISH, AND HE IS EAGER TO SUBM TO ENGLAND. THIS IS GONNA SUCK: AT BANNOCKBURN, HE EAGERLY LEADS BCE TO SUBM TO THE ENGLISH. HOWEVER, WHEN BCE ORRS HIM TO STOP, HE REALIZ WH A GROAN THAT BCE STEAD WISH TO FIGHT. TRAOR SHOT: HE MAK AN ASI GLANCE TO MEN HIDG AT WALLACE’S MEETG, WHICH ALERTS BCE TO THE BETRAYAL. TREACHERO ADVISOR: DPE BCE’S WISH, CRAIG DO EVERYTHG HE N TO SABOTAGE THE REBELLN TO AVOID NFLICT WH THE ENGLISH, CLUDG TURNG WALLACE OVER TO THE ENGLISH.     MORNAY MORNAY"THIS TIME, OUR ONLY OPTN IS TO NEGOTIATE." PORTRAYED BY: ALUN ARMSTRONGA STTISH NOBLE WHO IALLY ASSISTS WALLACE THE REBELLN, BEFORE BETRAYG HIM AT FALKIRK. THE CAVALRY: HE ENSUR STTISH VICTORY AT STIRLG BY LEADG THE VALRY . INVERTED AT FALKIRK WHERE HIS REFAL TO PLOY HIS VALRY ENSUR ENGLISH VICTORY. CORPT POLICIAN: DPE BEG STTISH, HE, CRAIG, AND LOCHLAN PROVE TO BE AS BIG AN OBSTACLE FOR WALLACE AS THE ENGLISH. CEL AND UNUAL DEATH: TAKG A LARGE IRON BALL TO THE FACE IS A NASTY WAY TO GO. DEADPAN SNARKER: GETS A GOOD ONE AFTER WALLACE SULTS THE ENGLISH MANR AT STIRLG, ENSURG A BATTLE WILL ENSUE.MORNAY: I'D SAY THAT WAS RATHER LS RDIAL THAN HE'S ED TO. GREED: LONGSHANKS REVEALED THAT HE BOUGHT MORNAY’S LOYALTY THROUGH OFFERS OF LAND AND TL. KARMIC DEATH: WALLACE SMASH HIS FACE FOR HIS BETRAYAL. OH, CRAP!: HE IS ABSOLUTELY HORRIFIED WHEN WALLACE BURSTS THROUGH HIS DOOR. OR WAS IT A DREAM?: HE HAS A NIGHTMARE OF WALLACE RIDG THE NIGHT WH THE TENT TO KILL HIM. AFTER HE WAK UP AND LMS DOWN, GUS WHO BARG THROUGH THE DOOR? REWARD AS A TRAOR DERV: WALLACE PERSONALLY EXECUT HIM. THE QUISLG: HE EVENTUALLY SUBMS TO THE ENGLISH. TRAOR SHOT: HIS TREACHERY IS DITED WHEN HE MAK A SHADY ASI GLANCE TO LOCHLAN BEFORE LEADG HIS VALRY AWAY.     LOCHLAN LOCHLAN"THIS IS OUR ARMY. TO JO , YOU GIVE HOMAGE!" PORTRAYED BY: JOHN MURTAGHA STTISH NOBLE WHO IALLY ASSISTS WALLACE THE REBELLN, BEFORE BETRAYG HIM AT FALKIRK. CORPT POLICIAN: DPE BEG STTISH, HE, CRAIG, AND MORNAY PROVE TO BE AS BIG AN OBSTACLE FOR WALLACE AS THE ENGLISH. DU, WHERE'S MY RPECT?: HE CHASTIS WALLACE FOR NOT SALUTG HIM AND THE OTHER NOBL AT STIRLG. *DROOL* HELLO: WHILE THE NOBL EAT, BLOOD SUDNLY DRIPS DOWN ON CRAIG’S MEAL. WHEN HE LOOKS UP, LOCHLAN’S RPSE DROPS OM THE RAFTERS. KARMIC DEATH: WALLACE HUNTS HIM DOWN AND KILLS HIM FOR HIS BETRAYAL. PRI: UNLIKE MORNAY, HE DIDN’T REQUIRE MUCH BRIBG OM LONGSHANKS TO BETRAY WALLACE. JUDGG BY HIS DIALOGUE, HE SEEMED TO BE MORE MOTIVATED BY WALLACE’S NTUED DISRPECT OF HIM AND THE OTHER NOBL. SLASHED THROAT: HOW WALLACE DISPATCH HIM. REWARD AS A TRAOR DERV: WALLACE PERSONALLY EXECUT HIM. THE QUISLG: HE EVENTUALLY SUBMS TO THE ENGLISH. TRAOR SHOT: HIS TREACHERY IS DITED WHEN HE MAK A SHADY ASI GLANCE TO MORNAY BEFORE LEADG HIS VALRY AWAY.     MORRISON MORRISON"WELL I'M HERE TO CLAIM THE RIGHT OF A HBAND!" PORTRAYED BY: TOMMY FLANAGANONE OF WALLACE'S SOLDIERS WHO TOOK PART HIS UPRISG AT LANARK. HE HAS A PERSONAL VENTTA AGAST THE ENGLISH DUE TO HIS WIFE BEG THE VICTIM OF PRIMA NOCTAE. ANNOYG ARROWS: AVERTED. THREE ARROWS TO THE TORSO KILL HIM. BT SERVED COLD: HIS WIFE STOPS HIM OM FIGHTG OFF BOTTOMS'S GUARDS AS SHE IS TAKEN AWAY, KNOWG THAT HE WAS OUTNUMBERED. LATER, AFTER TAKG HIS BASE OF OPERATNS, MORRISON IS EE TO EXACT HIS REVENGE ON LORD BOTTOMS. DO WH HIM AS YOU WILL: AFTER PTURG BOTTOMS'S OUTPOST, WALLACE GRANTS MORRISON THE HONOR OF KILLG HIM. FORCED TO WATCH: HE N DO NOTHG BUT WATCH AS LORD BOTTOMS RIS AWAY WH HIS WIFE. IT'S PERSONAL: AGA, LORD BOTTOMS RO OFF WH HIS WIFE ON THEIR WEDDG DAY. THIS NNOT BE STATED ENOUGH TIM. NO-HOLDS-BARRED BEATDOWN: DISPATCH OF BOTTOMS WH AN EPIC FLAIL. SACRIFICIAL LN: HE DI AT FALKIRK SO AS TO DRIVE HOME THE LOSS THE STTISH SUFFERED.    MACCLANNOUGH MACCLANNOUGH"ONE DAY, WALLACE, YOU WILL HAVE TO FIGHT." PORTRAYED BY: SEáN MCGLEYMURRON'S FATHER, WHO DISAPPROV OF HER MARRYG WALLACE. BACK FOR THE FALE: HE SEEMS TO DISAPPEAR OM THE MOVIE AFTER MURRON'S ATH AND DON'T TAKE PART WALLACE'S REBELLN. HOWEVER, AT THE END OF THE FILM, EAGLE-EYED VIEWERS WILL SEE HIM AMONG THE STTISH RANKS AT BANNOCKBURN AND TAKG PART THEIR CHARGE. THE DRAG-ALONG: IN THE PROLOGUE, MALLM WALLACE URG THE OTHER VILLAGERS TO FIGHT THE ENGLISH. MACCLANNOUGH IS OPENLY SKEPTIL BUT AGRE TO TAKE PART WH A RIGNED "ALRIGHT, ALRIGHT!" THEIR REBELLN ULTIMATELY FAILS, AND MACCLANNOUGH REMAS SKEPTIL OF REBELLN LATER THE FILM, UNTIL THE VERY END, THAT IS. FIVENS: AT MURRON'S FUNERAL, WALLACE BOWS HIS HEAD TO MACCLANNOUGH, ASHAMED AT HIS OWN FAILURE TO SAVE HER. IN RPONSE, MACCLANNOUGH GENTLY RTS HIS HAND ON WALLACE'S HEAD: A WORDLS SIGN OF FIVENS. OUTLIVG ONE'S OFFSPRG: AFTER THE MURR OF HIS DGHTER. HE IS SO STUNNED THAT HE N'T EVEN WEEP AT HER FUNERAL. PARENTAL MARRIAGE VETO: HE REF TO GIVE WALLACE HIS BLSG TO MARRY MURRON. THIS ISN'T DUE TO ANY PERSONAL DISLIKE OF WALLACE, HOWEVER, BUT IS STEAD BEE HE FEARS HER BEG SUBJECTED TO PRIMA NOCTAE. HE ALSO (RRECTLY) PREDICTS THAT WALLACE WILL EVENTUALLY BE FORCED TO FIGHT, AND THAT WOULD PUT HER MORE DANGER. IRONILLY, THIS IS WHAT WALLACE TO EVENTUALLY ACCEPT THE LL.THE ENGLISH     KG EDWARD THE LONGSHANKS KG EDWARD THE LONGSHANKS OF ENGLAND"BRG ME WALLACE. ALIVE IF POSSIBLE; AD… JT AS GOOD." PORTRAYED BY: PATRICK MCGOOHANTHE FILM’S ANTAGONIST; HE IS THE KG OF ENGLAND AND SEEKS TO LE OVER STLAND. IN THE MEANTIME, HE IS NCERNED WH AN APPARENT SUCCSN-CRISIS REGARDG HIS SON, AND HE IS ALSO BY FORMG AN ALLIANCE WH HIS CHIEF RIVAL, FRANCE. HE TAK THE STTISH REBELLN MORE SERLY AFTER STIRLG AND YORK AND SEEKS TO PTURE AND EXECUTE WALLACE. ABIVE PARENTS: MURRS HIS SON'S LOVER, AND THEN BEATS HIM AFTERWARD. AND I MT SCREAM: ISABELLA TELLS HIM ON HIS ATHBED THAT SHE IS RRYG WALLACE'S CHILD, MEANG THAT HIS LE WILL EFFECTIVELY END WH HIS SON, AND HE N DO NOTHG OTHER THAN STARE HORROR. BAD BOSS: THROWS PHILLIP OUT OF THE WDOW FOR GIVG HIM UNSOLICED ADVICE. LATER ORRS A BARRAGE OF ARROWS ON HIS OWN MEN TO TAKE OUT THE STTISH. THE BAD GUY WS: SUBVERTED: HE PTUR AND KILLS WALLACE, AND REMAS NTROL OF STLAND BY THE TIME HE DI. BUT 'S A HOLLOW VICTORY, AS HE LEARNS THAT HIS LE WILL END WH EDWARD II AND BE REPLACED WH WALLACE'S SCENDANTS. LATER, AFTER HIS ATH, THE STTISH FALLY REGA THEIR PENNCE. THE CHSMASTER: ULTIMATELY PUTS DOWN THE REBELLN (THAT IS, UNTIL HE DI) MALY THROUGH POLIL SCHEM. COOL OLD GUY: EVEN THOUGH HE'S ELRLY, AILG AND ROTTEN TO THE RE, HE STILL HAS ENOUGH FIGHTG STRENGTH HIM TO THROW A MAN OUT THE WDOW, AND HE EFFORTLSLY BEATS DOWN HIS MUCH YOUNGER SON. IN TERMS OF DISPOSN, HE ALSO SEEMS TO HAVE NO RPECT FOR SUCKUPS AND Y-MEN, AS SHOWN WHEN HE STUT PRIMA NOCTE:NOBLEMAN: "A MOST EXCELLENT IA, YOUR MAJTY!"KG EDWARD: *WH PALPABLE IRRATN* "IS ?" DEADPAN SNARKER: HE IS VERY SNI AND SHARP-TONGUED, WHICH THROUGH DRY MENTS ABOUT THGS HE FDS AMG, OR FOOLISH. DEATH GLARE: A MASTER OF THE. DTATN DEFENTRATN: KILLS PHILLIP THIS WAY. DI WI OPEN: HE SUFFERS A FATAL HEART ATTACK WHEN WALLACE YELLS “FREEDOM!” THE DREAD: HE CERTALY HAS THIS REPUTATN THE FILM. HE ALSO HAD THIS REAL LIFE. A PRIT IS SAID TO HAVE DIED OUT OF THE SHEER SHOCK OF MEETG HIM. EVIL OLD FOLKS: HE'S OLD AND... PRETTY EVIL. EYE TAKE: THE MERA FOC ON HIS GAZE AS HE HEARS OF ISABELLA'S CEPTN OM HER, MALY BEE HE N ONLY EXPRS HIMSELF WH HIS EY AT THIS POT. FICTNALIZED DEATH ACUNT: NOT THAT REALLY CHANG ANYTHG THE MOVIE, BUT THE REAL LONGSHANKS DIDN'T DIE UNTIL ABOUT TWO YEARS AFTER WALLACE, OF DYSENTERY WHILE WAGG WAR AGAST ROBERT THE BCE, WHO BY THEN HAD BEEN CROWNED KG AND WAS LEADG THE STS REBELLN AGAST THE ENGLISH. HAIR-TRIGGER TEMPER: WHEN HE DON'T HAVE HIS WAY, LONGSHANKS DISPLAYS A VERY AGGRSIVE TEMPER, AND WILL EVEN KILL PEOPLE IF THEY B HIM THE WRONG WAY. HISTORIL VILLA UPGRA: PLAYED WH: WHILE A VERY NTROVERSIAL KG, MANY OF HIS NEFAR ACTNS THE FILM ARE EHER EXAGGERATED OR ENTIRELY FICTNAL. HE NEVER MANDATED PRIMAE NOCTIS, FOR ONE, NEVER MURRED HIS SON’S LOVER, WOULD LIKELY HAVE NEVER KILLED HIS OWN TROOPS FOR VICTORY, AND NEVER MURRED HIS OWN SUBJECTS. HIS SFFG AT CHARY IS ALSO UNLIKELY, SCE HE WAS VERY GENERO REAL LIFE, THOUGH THIS WAS MANDATED BY THE CHURCH. HE WAS ALSO A LOVG HBAND AND FAY MAN, SPE HIS ATTU TOWARDS WOMEN AND HIS TREATMENT OF HIS SON THE MOVIE. HISTORIL VILLA DOWNGRA: THE FILM ALSO MANAG TO DOWNPLAY OR IGNORE ALL THE OTHER ACTS EDWARD HAS DONE SUCH AS VADG WAL BEE THE LEAR OF WAL SID WH THE BARONS AND MURRG AND IMPRISONG HIM AND HIS FAY, AND HOW HE WAS AN ACTIVE ANTI-SEME TO BOOT, MAKG AN EDICT EXPELLG JEWS ENGLAND. INCURABLE COUGH OF DEATH: HE SUFFERS OM THIS, AND EVENTUALLY DI. JERKASS HAS A POT: HIS MURRG PHILLIP PERSONALLY MAK SENSE OM THE POT OF VIEW THAT HE IS A POTENTIAL LIABILY. AT THE VERY LEAST HE'S CLEARLY NEVER FOUGHT A BATTLE HIS ENTIRE LIFE AND ISN'T QUALIFIED TO BE ADVISG A PRCE OR A KG ON MATTERS OF STATE, SO THE DANGER OF HIM BEG THE POWER BEHD THE PRCE'S FUTURE THRONE HAS TO BE AVERTED. IF HE IS FLUENCG HIS SON, THEN THE GUY HAS GOT TO GO. JERK WH A HEART OF JERK: HE POLELY ALLOWS ISABELLA TO ATTEND HIS URT SPE HAVG SENT FOR PRCE EDWARD STEAD, UNR THE PRETENSE OF TEACHG HER HOW TO LE. HE THEN PROCEEDS TO OUTLE HIS PLAN TO RESTATE PRIMA NOCTA STLAND, ALL THE WHILE STARG AT HER TENTLY, AS THOUGH HE KNOWS WOULD MAKE HER UNFORTABLE. KARMA HOUDI: SUBVERTED: HE DI HIS SLEEP WHOUT EVER RELQUISHG NTROL OVER STLAND OR HAVG RECEIVED ANY RETRIBUTN FOR HIS APPARENT TYRANNY, WHILE ALSO SUCCEEDG EXECUTG WALLACE. HOWEVER, JT BEFORE HE DI, HE LEARNS THAT ISABELLA IS RRYG WALLACE’S CHILD AND WILL WIPE OUT HIS LE WH PRCE EDWARD, AND THERE IS NOTHG HE N DO ABOUT . KICK THE DOG: HE REVEALS HIS PLAN FOR PRIMA NOCTA ONT OF ISABELLA, IMPLICLY BEE HE KNOWS WOULD MAKE HER UNFORTABLE AS A WOMAN. MURRS HIS SON’S GAY LOVER (OSTENSIBLY FOR GIVG UNSOLICED ADVICE, WHICH ISN’T ANY BETTER THAN HOMOPHOBIA), THEN LERALLY KICKS HIS SON FOR RETALIATG. LACK OF EMPATHY: THIS SHOWS WHEN HE SUDNLY KILLS HIS SON’S LOVER RIGHT ONT OF HIM AND THEN PROCEEDS TO BEAT HIM (GRANTED, SELF-FENSE), BEFORE STG DOWN TO PLOT WHILE HIS SON LI CRYG ON THE FLOOR. LARGE AND CHARGE: BOTH MCGOOHAN AND THE REAL LONGSHANKS WERE 6’2. LIGHT IS NOT GOOD: HE HAS SNOW-WHE HAIR AND IS REGULARLY ADORNED SRLET-GOLD ROB. MISOGYNY: IMPLIED BY HIS ATTU TOWARDS ISABELLA AND HIS RESTATEMENT OF PRIMA NOCTA. HOWEVER, PRAGMATIC VILLAY FORC HIM TO AVOID ACTG ON THIS WH ISABELLA. OBLIVLY EVIL: LONGSHANKS IS THAT TYPE OF CHARACTER WHO ONLY THKS HE IS DOG GOOD, BUT HE REALLY ISN'T. OH, CRAP!: WHEN ISABELLA TELLS HIM THE TTH OF HER PREGNANCY, HIS EY GO WI AND HE BREATH HEAVILY. IT’S ALL HE N DO SCE HIS DISEASE HAS RENRED HIM MUTE AND UNABLE TO MOVE. PRAGMATIC VILLAY: DPE HAVG SENT FOR HIS SON, HE ALLOWS ISABELLA TO ATTEND HIS URT SCE APPEARS THAT PRCE EDWARD HAS NO TERT LEARNG HOW TO LE, MEANG SHE WOULD HAVE TO LEARN HOW TO HIS STEAD. HE ALSO FEATS WALLACE ON THE BATTLEFIELD BY SIMPLY BUYG OFF THE RIGHT STTISH NOBL. SENDS ISABELLA TO TREAT WH WALLACE NOT BEE SHE'S NECSARILY DISPOSABLE, BUT BEE SHE'S BASILLY THE SAFT OPTN HE N THK OF: "WHO N I SEND? NOT I, FOR IF I WERE TO FALL UNR THE SWORD OF THAT MURRER MIGHT BE MY HEAD A BASKET. AND NOT MY... GENTLE SON, FOR THE BARE SIGHT OF HIM WOULD ONLY ENURAGE AN ENEMY TO TAKE OVER THE WHOLE UNTRY." PRE-MORTEM ONE-LER: “THEN TELL ME… WHAT ADVICE WOULD YOU OFFER ON THE PRENT SUATN?” *HE THEN PROCEEDS TO THROW PHILLIP OUT OF THE WDOW.* ROYALS WHO ACTUALLY DO SOMETHG: HE MAY BE A BASTARD, BUT HE DID LEAD THE ENGLISH TO VICTORY AT FALKIRK (EVEN IF WAS AT THE SIL). SADIST: SEEMS TO TAKE GREAT LIGHT MAKG ISABELLA UNFORTABLE AS HE EXPLAS HOW PRIMA NOCTA WORKS TAIL. SCREW THE RUL, I MAKE THEM!: THROWS A MAN OUT A WDOW TO HIS ATH, THE GUARDS IGNORE WHEN THEY SEE THE GUY WHO DID IS THE KG. VILLA DEY: GRADUALLY BE OLR AND SICKER OF THE YEARS BEFORE BEG PLETELY BED-RIDN. VILLAO BSOD: THE TTH OF ISABELLA’S PREGNANCY PROMPTS A VERY SUBTLE VERSN OF THIS. WE HAVE RERV: TROPE NAMER: HE ORRS ONE OF HIS LORDS TO LOOSE ARROWS ON THE STTISH. WHEN SAID LORD POTS OUT THAT THEY WILL H THEIR OWN MEN, HE STAR AT HIM AND RPONDS, “Y… BUT WE’LL H THEIRS AS WELL. WE HAVE RERV.” WOULD HURT A CHILD: AMONG THE NOBL HE TRICKED AND HANGED DURG THE PROLOGUE IS A BOY NO OLR THAN WILLIAM WALLACE AT THE TIME, WHO MAY HAVE BEEN A NOBLE'S SON OR SQUIRE ATTENDG THE MEETG. ALSO HIS ABE OF HIS SON IS IMPLIED TO HAVE BEEN GOG ON FOR A LONG TIME, AS NOBODY SEEMS TOO SURPRISED OR OUTRAGED BY .     PRCE EDWARD PRCE EDWARD OF ENGLAND"I WILL STAND UP TO HIM, AND MORE." PORTRAYED BY: PETER HANLEYTHE PRCE OF ENGLAND AND LONGSHANKS’ PETENT AND EFFECTUAL SON. HE HAS NO TERT HIS WIFE ISABELLA, POSG SOMETHG OF A SUCCSN CRISIS FOR THE MONARCHY. ADAPTATNAL WIMP: EDWARD II WAS AS WEAK A LEAR AS THE FILM PORTRAYS HIM AS, BUT HE WAS NOT A FEEBLE WARD HIMSELF. HE WAS NOTED FOR BEG TALL AND MCULAR, AND, ASI OM THE FACT THAT THE REAL EDWARD II ACTUALLY ATTEND BANNOCKBURN WHILE THE FILM'S VERSN DON’T, EDWARD II HAD TO BE DRAGGED AWAY OM THE BATTLEFIELD BY HIS OWN MANRS WHEN THEY REALIZED WAS LOST, AS HE WANTED TO STAY AND FIGHT. AMBIGUOLY GAY: ASI OM A TRATED SULT OM HIS , ’S NEVER OUTRIGHT STATED, BUT ’S STRONGLY IMPLIED. THEN THERE'S HIS DIGNANT RAGE AND SOBBG AFTER LONGSHANKS MURRS PHILLIP, SUGGTG THAT THEY WERE HAVG A HOMOSEXUAL RELATNSHIP. EFFEMATE MISOGYNISTIC GUY: OUTSI OF BEG NEGLECTFUL TO ISABELLA, HE CROSS TO THIS TERRORY NEARLY EVERY TIME HE TALKS WH HER, BARELY HIDG HIS SRN. EFFEMATE VOICE: HE'S PLAYED WH A VERY MPY TENOR. EVEN EVIL HAS LOVED ON: NOT HIS FATHER, BUT HE CLEARLY R ABOUT PHILIP ENOUGH TO ATTACK LONGSHANKS WH A DAGGER FOR KILLG HIM. EYE TAKE: HIS REACTN TO PHILLIP’S ATH. FLAT CHARACTER: EDWARD GETS LTLE CHARACTERIZATN OUTSI OF BEG LONGSHANKS’ PETENT AND WEAK SON, WH ONLY HIS HOMOSEXUALY GIVG HIM SOME PTH. HIS ROLE IS MOSTLY MEANT TO DRIVE ASPECTS OF THE NARRATIVE: HIS NEGLECT OF ISABELLA IS PARTLY WHY SHE GO TO WALLACE, AND HIS HOMOSEXUALY LEADS TO A SUCCSN CRISIS THAT CULMAT ISABELLA GETTG THE LAST LGH ON LONGSHANKS. FURTHERMORE, HE SERV AS A NTRAST TO BOTH WALLACE AND, MORE IRONILLY, HIS OWN FATHER, WHERE HIS WEAKNS SERVE TO HIGHLIGHT THEIR OWN STRENGTHS AS THE PROTAGONIST AND ANTAGONIST. FOIL: TO BOTH WALLACE AND LONGSHANKS. HARMLS VILLA: HE'S SO PATHETIC THAT HE N'T EVEN FEAT AN OLD MAN BAT, LET ALONE MANAGE HIS KGDOM AND ARMY EFFECTIVELY. HIDN DEPTHS: HE IS SHOWN ENJOYG HIMSELF WHILE HE PRACTIC ARCHERY. LIKE FATHER, UNLIKE SON: LONGSHANKS IS THE LD, DOMEERG, AND THLS KG OF ENGLAND WHO TROUNC THE STS ON THE BATTLEFIELD. PRCE EDWARD IS... NOT. NARCISSIST: HE'S NSTANTLY SEEN ADMIRG HIMSELF MIRRORS. NON-ACTN GUY: HE TRI ATTACKG HIS FATHER WH A KNIFE FOLLOWG PHILLIP'S MURR, BUT HE IS EASILY BEATEN, SPE LONGSHANKS'S ADVANCED AGE. ONE-STEVE LIM: ZIG-ZAGGED. BOTH ARE CREDED AND NFIRMED -FILM AS EDWARD, BUT THE ELR EDWARD IS NSISTENTLY REFERRED TO BY “LONGSHANKS,” PROBABLY TO AVOID NFN. PRETTY BOY: YOUNG, LHE, ROSY-CHEEKED, PALE, AND BEARDLS, WHICH IS ALL A STARK NTRAST TO HIS FATHER. SISSY VILLA: HE’S WEAK, EFFEMATE, AND AN PETENT WAR-TIME MANR WH NO BS BEG BAT. SMUG SNAKE: SFFS AT ISABELLA AFTER SHE BEGS FOR WALLACE’S LIFE. LTLE DO HE KNOW THAT SHE IS PREGNANT WH WALLACE’S CHILD, AND TENDS TO EVENTUALLY POSE EDWARD, WIPG OUT HIS LE.     THE MAGISTRATE THE MAGISTRATE"AN ASSLT ON THE KG’S SOLDIERS IS THE SAME AS AN ASSLT ON THE KG HIMSELF." PORTRAYED BY: MALLM TIERNEYTHE MAGISTRATE AT LANARK, WHO EXECUT MURRON AN ATTEMPT TO DRAW WALLACE OUT. HIS ACTNS STEAD RULT HIS ATH AND REBELLN AGAST ENGLAND. ALL CRIM ARE EQUAL: HE VOK THIS BY PARG MURRON AND WALLACE’S ASSLT ON THE KG’S SOLDIERS TO ASSLTG THE KG HIMSELF. AND THERE WAS MUCH REJOICG: HIS ATH BY THE CIZENS OF LANARK. BRG IT: “NOW, LET THIS SCRAPPER E TO ME.” EVERYONE CALLS HIM "BARKEEP": HE IS ONLY CREDED AS “MAGISTRATE.” NO NAME GIVEN: HIS HISTORIL UNTERPART WAS KNOWN, HOWEVER, AS WILLIAM HELRIG, WHO WAS THE SHERIFF OF LANARK THAT WAS KILLED BY WILLIAM WALLACE AT THE START OF HIS UPRISG. KARMIC DEATH: WALLACE KILLS HIM THE EXACT SAME MANNER AS HE EXECUTED MURRON. OH, CRAP!: WHEN WALLACE SUDNLY ATTACKS HIS MEN. ONE-STEVE LIM: AS MENTNED, HE IS BASED ON WILLIAM HELRIG, AND SHARG THE SAME FIRST NAME WH THE PROTAGONIST IS PROBABLY WHY HE WENT UNNAMED. PUNCH-CLOCK VILLA: HE NSIRS HIMSELF THIS, TREATG HIS EXECUTN OF MURRON AS A JTIFIED BREAK OM HIS APPARENT "LENIENCY" TO SET AN EXAMPLE. SLASHED THROAT: HE KILLS MURRON THIS WAY. WALLACE KILLS HIM THIS WAY. SMALL ROLE, BIG IMPACT: HE MURRS THE LOVE TERT OF THE PROTAGONIST, WHICH TURN PROVOK WALLACE’S ENTIRE REBELLN. SMUG SNAKE: IS FULLY NFINT HIS GARRISON’S ABILY TO TAKE WALLACE. THEY ARE ALL ANNIHILATED, AND HE GETS EXECUTED. WOULD H A GIRL: HE NONCHALANTLY CUTS MURRON’S THROAT.     PHILLIP PHILLIP"I AM SKILLED THE ARTS OF WAR AND ARY TACTICS, SIRE." PORTRAYED BY: STEPHEN BILLGTONPRCE EDWARD’S HIGH COUNSELOR, AND POSSIBLY HIS LOVER. AMBIGUOLY GAY: IT’S NEVER OUTRIGHT STATED, BUT ’S STRONGLY IMPLIED. BURY YOUR GAYS: HE IS SUDNLY KILLED BY LONGSHANKS MIDWAY THROUGH THE FILM. DTATN DEFENTRATN: HIS MANNER OF ATH. HELD GAZE: HE AND EDWARD STARE AT ONE ANOTHER DURG EDWARD’S WEDDG, WHICH DIT THEIR APPARENT RELATNSHIP. MANLY GAY: RELATIVE TO EDWARD, HE IS MORE NFINT, OUTSPOKEN, AND ASSERTIVE THAN HIM, THOUGH GETS HIM KILLED. NEPOTISM: DPE NO APPARENT QUALIFITNS, EDWARD MAK HIM HIS HIGH COUNSELOR. NO HISTORIL FIGUR WERE HARMED: HE IS BASED ON PIERS GAVTON, A NOBLE WHO WAS MORED TO BE EDWARD II’S LOVER. HE WAS NOT KILLED BY LONGSHANKS BUT STEAD OUTLIVED HIM, ULTIMATELY MAKG ENEMI URT DUE TO BEG EDWARD II’S FAVOURE, WHICH LED TO HIS EXILE AND EVENTUAL ASSASSATN 1312. OH, CRAP!: HE HAS JT ENOUGH TIME TO PULL OFF A RATHER EPIC ONE BETWEEN LONGSHANKS GRABBG HIM OM BEHD AND TOSSG HIM OUT A WDOW. SMALL NAME, BIG EGO: OVERLAPS WH TOO DUMB TO LIVE. A MAN WH NO APPARENT LANDS OR TL, HE SOMEHOW THKS HE N TALK TO THE KG OF ENGLAND NOT ONLY OUT OF TURN BUT ALSO ADDRS HIM AS THOUGH THEY WERE PEERS. AS A URT DANDY HE ALSO HAS THE GALL TO CLAIM SKILL " THE ARTS OF WAR AND ARY TACTICS" TO A HARNED VETERAN. LONGSHANKS ACTUALLY SHOWS REMARKABLE RTRAT BY FIRST IGNORG HIM THEN TRYG TO VERBALLY REMD HIM OF HIS PLACE, AND ONLY KILLS THE GUY AFTER HE REPEATEDLY FAILS TO TAKE THE HT. TOO DUMB TO LIVE: HE GIV LONGSHANKS UNSOLICED ADVICE AND NTU TO ASSERT HIMSELF SPE LONGSHANKS’S OBV ANNOYANCE BEFORE FALLY ALLOWG LONGSHANKS TO LEAD HIM TO A WDOW.    CHELTHAM CHELTHAM"YOU ARE OUTMATCHED. HAH, YOU HAVE NO HEAVY VALRY. IN TWO CENTURI, NO ARMY HAS WON WHOUT ." PORTRAYED BY:' GERARD MCSORLEYTHE ENGLISH SEND--MAND AND FIELD MANR AT STIRLG. HE IS BASED ON SIR HUGH CRSGHAM, THE ENGLISH TREASURER WHO HAD THE SAME ARY ROLE AT THE BATTLE OF STIRLG BRIDGE. ACTUALLY PRETTY FUNNY: NORMALLY LLECTED, HE N'T HELP BUT CKLE AT WALLACE'S BRAVADO. HE SHOULD HAVE TAKEN MORE SERLY. ADAPTATNAL INTELLIGENCE: HUGH CRSGHAM WAS THE ONE WHO SUGGTED THE DISASTRO FULL-SLE ATTACK AGAST THE STS AT STIRLG, NOT JOHN WARRENE, HIS SUPERR, WHOM LORD TALMADGE WAS BASED ON. IN THE FILM, CHELTHAM ADVIS AGAST SUCH AN ACTN. BUY THEM OFF: HE TRI TO NVCE THE STTISH NOBL AT STIRLG TO STAND DOWN, PROMISG THEM LUCRATIVE LANDS ENGLAND. IT MIGHT HAVE WORKED ON THEM, BUT WALLACE N'T BE BOUGHT OFF. DRAGON--CHIEF: HE'S NOT THE OVERALL MANR OF THE ARMY SENT TO PUT DOWN WALLACE BUT HE'S THE ONE DIRECTG THE TROOPS. FRONTLE GENERAL: AFTER HIS VALRY ARE ANNIHILATED, HE PERSONALLY LEADS THE ENGLISH FANTRY TO BATTLE AT STIRLG. HISTORIL VILLA DOWNGRA: HIS HISTORIL ANALOGUE, HUGH CRSGHAM, WAS NOTORLY THLS HIS METHODS TO SUBJUGATE STLAND FOR LONGSHANKS, AND WAS KNOWN TO HAVE FLAYED PRISONERS. THIS IS NOT MONSTRATED OR REFERENCED THE FILM. HYPER-COMPETENT SIKICK: HE'S MORE UT AND REALISTIC THAN THE MA MANR, LORD TALMADGE, WHO PROVED TO BE FAIRLY RASH HIS BATTLE TACTICS. MOUTH OF SRON: HE SERV AS ONE TO LONGSHANKS. NICE JOB FIXG IT, VILLA: HIS CISN TO SEND ENGLISH HEAVY VALRY AT THE STS RULTS HIS ARMY'S BT TROOPS BEG ANNIHILATED AND THE STS EMBOLNED TO TAKE THE FIGHT TO THE ENGLISH FANTRY ON EQUAL TERMS. NO HISTORIL FIGUR WERE HARMED: HE'S BASED ON HUGH CRSGHAM, AN EXTREMELY UNPOPULAR ENGLISH LORD HATED BY THE STTISH WHO ADVOTED ATTACKG THE STS AT STIRLG, A CISN THAT, LIKE HIS CEMATIC UNTERPART, ST HUGH HIS LIFE (THOUGH THE FILM, HE P THE FATE OF HIS HISTORIL UNTERPART, WHO WAS FLAYED BY WALLACE FOR A SWORD BELT). OFF WH HIS HEAD!: WALLACE CUTS HIS HEAD OFF THE HEAT OF BATTLE. OH, CRAP!: AFTER HIS HORSE IS KILLED, HE HAS TIME FOR THIS AFTER GETTG BACK TO HIS FEET ONLY TO FD WALLACE LOOMG OVER HIM WH A SWORD HAND. BEFOREHAND, HE AND HIS BOSS HAVE THIS REACTN WHEN THE STS ANNIHILATE THE ENGLISH HEAVY VALRY. SMUG SNAKE: VERY MUCH OVERNFINT HIS ABILY TO W. UNRTIMATG BADASSERY: HE PLETELY DISMISS THE STS' ABILY TO FEAT THE ENGLISH. IT ENDS WH HIS ARMY ANNIHILATED AND HIM SLA. VILLAO VALOR: HE PERSONALLY LEADS THE ENGLISH FANTRY TO BATTLE AT STIRLG AND WAS WILLG TO FACE WALLACE SGLE BAT.     SMYTHE SMYTHE"OH, YOU REMD ME OF MY DGHTER BACK HOME." PORTRAYED BY: MICHAEL BYRNEAN OLD ENGLISH SOLDIER WHO LTS AFTER MURRON. ABIVE PARENTS: HE MENTS TO MURRON THAT SHE REMDS HIM OF HIS DGHTER, THEN TRI TO RAPE HER RIGHT AFTER. THE IMPLITNS N'T BE MORE OBV. ATTEMPTED RAPE: WALLACE ARRIV TIME TO PULL HIM OFF OF MURRON. CHEKHOV'S GUNMAN: EARLIER, HE IS SHOWN LEERG AT MURRON AFTER LORD BOTTOMS TAK MORRISON'S WIFE AWAY. DIRTY OLD MAN: IS CLEARLY OLR THAN MURRON BUT LTS AFTER HER. EVEN EVIL HAS STANDARDS: DPE HIS ACTNS, MURRON'S EXECUTN PROMPTS HIM TO LOOK AWAY. IMPALED WH EXTREME PREJUDICE: HAMISH IN THE BACK: HE ATTEMPTS TO DUEL WALLACE DURG HIS UPRISG, BUT HAMISH KILLS HIM WH AN AXE THE BACK. OLD SOLDIER: IS LIKELY THE OLST ENGLISHMAN AT LANARK. SMALL ROLE, BIG IMPACT: HIS ATTEMPT TO RAPE MURRON LEADS TO HER EXECUTN, WHICH MOTIVAT WALLACE TO REVOLT. WOULD H A GIRL: ASI OM THE ATTEMPTED RAPE, HE BACKHANDS MURRON AFTER SHE B HIS FACE.OTHERS
• MATTHEW GONG, GAY MORMON, REFLECTS ON HIS JOURNEY OM NER WAR TO NER PEACE

DID EDWARD I LONGSHANKS HAVE A GAY SON?

Updated: 11/9/2022Wiki User ∙ 7y agoKg Edward I had at least 4 sons, and nothg is tly known of their sexual orientatns:Alphonso - died at age 10Edward II - married Isabella of France and had at least 5 childrenThomas of Brotherton, 1st Earl of Norfolk - married twice and had at least 3 childrenEdmund of Woodstock, 1st Earl of Kent - married twice and had at least 4 childrenThere is some speculatn about Edward User ∙ 7y agoAdd your answer:Earn +20 ptsQ: Did Edward I Longshanks have a gay son? Love letters and ntemporary acunts reveal some of the gay romanc that pdish historians would later fet, ignore, or actively nceal. The historil mors get famoly ed ( a very historilly accurate fashn) for homophobic propaganda Mel Gibson's Braveheart.

A scholar who translated many of the words of the ancient Greeks -- an acceptg group when me to gay love -- Fico profsed a nnectn to the Greek thkers part bee he shared such a sire. Leonardo Da Vci and Fravante di DomeniThe qutsential Renaissance man, Leonardo may have been his generatn's greatt artist and scientific md, but an age when he had to keep his homosexualy reprsed, many historians say he also lived a largely celibate existence.

A brother to a rdal, Gonzaga seemed ls able to openly reveal his own sexualy but would serve as a gay pimp fdg rts for Areto. Michelangelo and Tommaso i CavelieriAs the Renaissance's greatt sculptor, Michelangelo enjoyed enough power wh the Vatin that he did not need to hi his homosexual tennci. (It probably helped that Pope Juli II, by many acunts, was also gay.

THE STTISH    OPEN/CLOSE ALL FOLRS       WILLIAM WALLACE WILLIAM WALLACE"ALBA GU BRàTH!""EVERY MAN DI; NO MAN EVER REALLY LIV." PORTRAYED BY: MEL GIBSONTHE FILM’S PROTAGONIST, WALLACE IS THE LEAR OF THE STTISH UPRISG AGAST THE ENGLISH. INIALLY RELUCTANT TO FIGHT, HE STARTS A REBELLN AT LANARK AFTER THE MURR OF HIS WIFE, WHICH SPREADS THROUGHOUT STLAND. HE WS A BATTLE AT STIRLG AND LATER SACKS YORK. HOWEVER, HE IS FEATED AT FALKIRK AND GO ON THE N FOR THE NEXT FEW YEARS, BEFORE HE IS EVENTUALLY PTURED AND SENTENCED TO ATH AT THE END OF THE FILM, RENRG HIM A MARTYR. THE ACE: IS A SKILLED WARRR, A GREAT STRATEGIST, AN OMNIGLOT, AND A CHARISMATIC LEAR. ADAPTATNAL NICE GUY: THE REAL WILLIAM WALLACE WAS A B OF A DRILL SERGEANT NASTY, BUT THE FILM, WALLACE IS PICTED AS SOMEWHAT LAIDBACK AS A LEAR WH A SUAL ATMOSPHERE AMONG HIS ARY ENMPMENT. FURTHERMORE, AFTER STIRLG, THE REAL-LIFE WALLACE FLAYED THE ENGLISH MANR'S RPSE AND MA A BALDRICK OUT OF HIS SK (THOUGH WAS RETALIATN FOR HIS FLAYG OF STSMEN). OUTSI OF A PATN, THIS IS NEVER SHOWN, NOR MENTNED. FALLY, THE REAL WALLACE EMPLOYED A RAPE, PILLAGE, AND BURN-STYLE MPAIGN AGAST THE ENGLISH, WHICH IS NOT SHOWN THE FILM, BUT IS THREATENED (AND MAY HAVE OCCURRED OFF-SCREEN WH THE SACKG OF YORK). NEVERTHELS, WALLACE IS STILL PORTRAYED AS VLENT AND MERCILS TO HIS ENEMI. AN ARM AND A LEG: HIS LIMBS ARE SENT TO THE FOUR RNERS OF BRA AS A WARNG. ASSKICKG LEADS TO LEARSHIP: IS MA THE LEAR OF THE STTISH REBELLN AFTER TAKG OUT THE ENGLISH GARRISON AT LANARK, AND IS THEN MA A GUARDIAN OF STLAND AFTER WNG AT STIRLG. BARBARIAN LONGHAIR: JT CHECK OUT THE IMAGE. BATTLE CRY: YELLS “ALBA GU BRàTH!”NOTE WHICH IS STTISH GAELIC FOR "STLAND FOREVER," AND IS A MON PATRTIC SLOGAN. BEFORE THE BATTLE OF STIRLG. BFS: HE WIELDS A CLAYMORE BATTLE. BYRONIC HERO: DOWNPLAYED. WHILE HE IS A GOOD-NATURED PERSON WHO IS ONLY FIGHTG AGAST THOSE WHO WISH TO DO HIS PEOPLE HARM, HE DO MONSTRATE A DISTURBG PACY FOR VLENCE. HE ADMS THAT HE IS A SAVAGE. CALL TO AGRICULTURE: AFTER RETURNG HOME OM THE CSAS, HE TRI TO SETTLE DOWN AS A SIMPLE FARMER AND HOP TO AVOID NFLICT. THIS DON’T LAST LONG. COMPOSE CHARACTER: SEEMS TO HAVE ALSO BEEN BED WH ANDREW MORAY, ANOTHER EARLY LEAR DURG THE WARS OF INPENNCE WHO STARTED HIS OWN SEPARATE UPRISG THE HIGHLANDS, BEFORE FIGHTG WH WALLACE AT THE BATTLE OF STIRLG. HE IS NEVER SHOWN OR MENTNED THE FILM, AND WALLACE SEEMS TO BE LEADG THE ONLY REVOLT STLAND WH HIGHLANRS AND LOWLANRS ALIKE. CEL AND UNUAL DEATH: IS EXECUTED BY BEG HANGED, DRAWN, AND QUARTERED. CSADG WIDOWER: MURRON’S ATH IS WHAT KICKS OFF HIS REBELLN. DARK AND TROUBLED PAST: HIS FATHER AND BROTHER WERE BOTH KILLED BATTLE WHEN HE WAS A CHILD. DEATH GLARE: GIV A VERY CHILLG ONE TO MORNAY BEFORE HE MURRS HIM. DEPATN PRENTATN: HIS HEAD IS DISPLAYED ON LONDON BRIDGE AS A WARNG. DEFIANT TO THE END: HE REF TO BEG FOR MERCY EVEN AS HE IS BEG EVISCERATED, AND STEAD SHOUTS OUT “FREEEEEEDOOOOOOOOOOOM.” ESPE ARTIST: ESP A GARRISON OF SOLDIERS AT LANARK AFTER ASSLTG THEIR MEN, AND ALSO P MORNAY’S GUARDS AFTER MURRG HIM. EXPERIENCED PROTAGONIST: HE BEME A HIGHLY SKILLED WARRR BETWEEN THE PROLOGUE AND HIS RETURN TO STLAND NOT LONG AFTER. FOLK HERO: IS SHOWN TO HAVE BEE ONE STLAND NEAR THE END OF HIS REER, WH A MONTAGE OF MEN TELLG VAR STORI AND LEGENDS OF HIS EXPLOS. FOREGONE CONCLN: DPE THE FILM’S ACCURACI, DO FOLLOW THROUGH PORTRAYG WALLACE FAILG TO OVERTHROW LONGSHANKS OR ENGLISH LE HIMSELF AND HIS EXECUTN AT THEIR HANDS. GENI BISER: IS A BATN OF BARBARIAN HERO AND CULTURED BADASS. GO OUT WH A SE: UPON HIS ATH, HE HAS A VISN OF MURRON, PROMPTG A PEACEFUL SE. HEARTBROKEN BADASS: WALLACE NTU TO DREAM OF MURRON DURG THE WAR, AND LATE THE FILM, LONG AFTER HER EXECUTN, HAMISH IMPLI TO WALLACE THAT HE IS STILL FIGHTG BEE OF HER ATH. THE HERO DI: IS EXECUTED BY LONGSHANKS AT THE END OF THE FILM. HEROIC BSOD: AFTER HE DISVERS ROBERT'S BETRAYAL, HE N DO NOTHG BUT LIE DOWN SPAIR. HISTORIL HERO UPGRA: WHILE UNDOUBTEDLY FAMO AND A HERO STLAND, WALLACE IS PORTRAYED AS MORE FLUENTIAL THE FIRST WAR OF STTISH INPENNCE THAN HE REALLY WAS AT THE EXPENSE OF OTHERS. THE REBELLN DIDN’T START WH HIM AT LANARK BUT STEAD HAD ALREADY BEGUN A YEAR EARLIER WH THEN-KG JOHN BALLL (THOUGH WAS BRIEFLY PUT DOWN). ROBERT THE BCE PLAYS A SENDARY ROLE TO WALLACE, SPE BEG MORE STMENTAL TO THE REBELLN AND HAVG LED A MORE SUCCSFUL MPAIGN (NOT TO MENTN BEG KG OF STLAND). HE ALSO LOOKS UP TO HIM AS A MENTOR OF SORTS, EVEN THOUGH THERE IS NO RERD THAT THE TWO EVEN MET. ANDREW MORAY IS ALSO PLETELY ADAPTED OUT, SPE HAVG ALSO STARTED HIS OWN UPRISG THE HIGHLANDS AND SHARG MAND WH WALLACE AT THE BATTLE OF STIRLG. WALLACE WAS AN IMPORTANT FIGURE THE WAR, BUT NOT TO THE GREE THE FILM PATS HIM AS. THE MOVIE ALSO DOWNPLAYS HIS BTALY PARED TO THE REAL WILLIAM WALLACE. AFTER THE BATTLE OF STIRLG BRIDGE, THE REAL WALLACE HAD AN ENGLISH MANR NAMED HUGH CRSGHAM FLAYED TO MAKE A BALDRICK FOR HIS SWORD, THOUGH THIS WAS ADMTEDLY PARTLY MOTIVATED BY HOW CRSGHAM HAD FLAYED STTISH PRISONERS OF WAR. WALLACE'S RAIDS TO ENGLAND WERE ALSO SIGNIFINTLY MORE SAVAGE AND DISCRIMATE THAN THE MOVIE, WH MANY CIVILIANS BEG KILLED THEM. I DIE FREE: HIS EEDOM QUOTE HIGHLIGHTS THIS. INNOCENCE LOST: WNS THE BODI OF SEVERAL HANGED MEN AS A BOY, CLUDG THAT OF ANOTHER CHILD. SOON AFTER, HIS FATHER AND BROTHER ARE BOTH KILLED BATTLE. I SURRENR, SUCKERS: APPEARS TO BE TURNG HIMSELF TO THE MAGISTRATE, BUT THEN SUDNLY ATTACKS HIS MEN. NOBLE SAVAGE: A MONER OM STLAND WHO FIGHTS FOR HIS HOMELAND AGAST THE KG OF ENGLAND. OFF WH HIS HEAD!: KILLS CHELTHAM THIS WAY. HE IS THEN EXECUTED BY BEHEADG. OMNIGLOT: HE SPEAKS ENGLISH (STS), STTISH GAELIC, LAT, AND FRENCH. POSTHUMO NARRATN: AT THE VERY END OF THE FILM, WALLACE IS HEARD SCRIBG HOW THE STS FOUGHT LIKE WARRR POETS AT BANNOCKBURN, AND WON THEIR EEDOM. "THE REASON YOU SUCK" SPEECH: GIV ONE TO A ROOMFUL OF STTISH NOBL WHO NTUE SQUABBLG SPE THEIR VICTORY AT STIRLG. RELUCTANT WARRR: EARLY ON, HE HOPED TO AVOID WAR AND LIVE AS A SIMPLE FARMER, BUT CIRCUMSTANC CHANGED THIS. NEAR THE END OF THE FILM, HE ADMS THAT HE JT WANTS TO HAVE A HOME AND CHILDREN AND TO LIVE PEACE, AND THE ONLY REASON WHY HE NTU TO FIGHT IS TO GA EEDOM FOR HIS PEOPLE. ROARG RAMPAGE OF REVENGE: HIS ACTNS AT LANARK ARE THIS. ROG SPEECH: GIV A VERY INIC DARE TO BE BADASS SPEECH BEFORE THE BATTLE OF STIRLG TO NVCE HIS RETREATG ARMY TO FIGHT THE ENGLISH. IT WORKS. SCREW THE MONEY, I HAVE RUL!: REF LONGSHANKS' BRIBE. SHROUD MYTH: IT'S APPARENTLY BELIEVED AMONG THE STTISH THAT HE IS A SEVEN-FOOT ONE-MAN ARMY PABLE OF NSUMG THE ENGLISH WH FIREBALLS OM HIS EY, AND BOLTS OF LIGHTNG OM HIS ARSE. SOPHISTITED AS HELL: OWG TO A BATN OF HIS DOWN-TO-EARTH PERSONALY AND HIS TN. SWORD PLANT: HE PS OFF HIS TRIUMPHANT CHEERG AFTER THE BATTLE OF STIRLG WH THIS. THE STRATEGIST: HOW HE BEATS THE ENGLISH AT STIRLG SPE FEWER NUMBERS. TOGETHER DEATH: HAS A VISN OF MURRON JT BEFORE GETTG BEHEAD. THROWG YOUR SWORD ALWAYS WORKS: HE TAK OUT A SOLDIER AT LANARK WH THIS METHOD. TRANQUIL FURY: STOILLY SLS THE SHERIFF’S THROAT. HE IS ALSO EXPRSNLS WHEN HE V MORAY’S FACE . UNSTOPPABLE RAGE: AFTER MURRON IS EXECUTED, HE SWIFTLY CUTS THROUGH THE ENGLISH GARRISON AT LANARK. LATER, AFTER BEG BETRAYED BY TWO NOBL AT FALKIRK, HE QUICKLY AND BTALLY EXECUT THEM. VICTOR ROAR: AFTER WALLACE AND THE STS FEAT THE ENGLISH AT THE BATTLE OF STIRLG (TECHNILLY THE BATTLE OF STIRLG BRIDGE), A BLOODIED WALLACE RAIS HIS BLA HIGH ABOVE HIM AND LETS OUT A BRIEF, YET FIANT ROAR THAT HIS MEN EAGERLY JO WH UNISON. VRLIC BT BUDS: HIS BT IEND IS HAMISH, WHO HE CKS ON THREE SEPARATE OCSNS (THOUGH, ONLY THE LAST ONE WAS DONE OUT OF ANGER), WHILE WALLACE KNOCKS HIM DOWN WH A STONE THROW TO THE HEAD.     ROBERT THE BCE ROBERT THE BCE"YOU BLED WH WALLACE! NOW, BLEED WH ME!""I WANT TO BELIEVE AS HE DO." PORTRAYED BY: ANG MACFADYENA STTISH NOBLE WHO IS A NTENR FOR THE VANT THRONE OF STLAND. HE ADMIR WALLACE BUT IS UNABLE TO TAKE A SI DUE TO THE JEOPARDY WOULD PLACE HIM POLILLY. HE ULTIMATELY STANDS UP FOR HIMSELF AS A LEAR AND LEADS THE STTISH TO VICTORY AT BANNOCKBURN AFTER WALLACE’S ATH. ADAPTATNAL WIMP: HE IS VERY UNSURE OF HIS ALLEGIANCE DURG THE WAR, PREFERRG TO LET HIS OWN FATHER DICTATE HIS POLIL POSNS. IN ANY SE, HIS ARC THE FILM IS ABOUT LEARNG WHAT TAK AND MEANS TO BE A LEAR, AND ’S SHOWN THAT, BY THE END OF THE FILM, HE HAS BEE THE KG HE WAS MEANT TO BE. ARTISTIC LICENSE – HISTORY: LAMPSHAS THIS HIS OPENG NARRATN, POTG OUT THAT ENGLISH HISTORIANS WILL ACCE HIM, THE NARRATOR, OF BEG A LIAR. HE THEN VOK WRTEN BY THE WNERS RPONSE.NOTE DPE THE FACT THAT THE STS WERE THE WNERS, NOT THE ENGLISH. THE ATONER: BOTH AFTER SIDG WH THE ENGLISH AT FALKIRK, AND AFTER UNWTGLY LEADG WALLACE TO A TRAP. BIG "NO!": UPON REALIZG HE HAS WALKED WALLACE TO A TRAP, WHICH DOUBL AS AN OH, CRAP! MOMENT. CALLG THE OLD MAN OUT: VLENTLY NONTS HIS FATHER OVER HIS BETRAYAL AND DISOWNS HIM. DEATH GLARE: GIV ONE TO CRAIG WHILE THEORIZG HOW WALLACE WILL SEEK REVENGE ON BOTH OF THEM. ALSO GIV ONE TO HIS FATHER AFTER LEAVG HIM. HEEL–FACE REVOLVG DOOR: HE REPEATEDLY SWCH ALLEGIANCE BETWEEN THE STTISH AND THE ENGLISH THROUGHOUT THE FILM. HIS LAST SCENE IS HIM ABOUT TO SUBM TO THE ENGLISH, BEFORE CHANGG HIS MD AND LEADG THE STS TO BATTLE. HERO OF ANOTHER STORY: THE FILM’S END ACKNOWLEDG HIS EVENTUAL KGSHIP OF STLAND AND FOR LEADG THE STS TO EEDOM. HISTORIL DOWNGRA: PLAYED WH. HIS ROLE THE FILM IS LARGELY OVERSHADOWED BY WALLACE’S, SPE BEG ARGUABLY THE MORE FAMO FUTURE KG OF STLAND. HOWEVER, HIS IMPORTANCE IS EMPHASIZED BY THE END OF THE FILM WHERE HE LEADS THE STS TO EEDOM. HISTORIL HERO UPGRA: DOWNPLAYED. MANY OF HIS MORE UNRHAND AND SELF-SERVG ACTNS ARE NEVER SHOWN THE FILM, PARTICULARLY HIS THLS MURR OF HIS CHIEF RIVAL COMYN A CHURCH. HE ALSO WAGED A CIVIL WAR AGAST SUPPORTERS OF THE LATE COMYN WHILE FIGHTG THE ENGLISH, FALLY FEATG THEM THROUGH RAPE, PILLAGE, AND BURN OF THEIR LANDS AND SUBJECTS, ALL STSMEN FACT. PREVLY, HE HAD FOUGHT ON THE ENGLISH SI AGAST THEN-KG JOHN BALLL, BEE HE KNEW HE WOULD NEVER BE KG OF STS WHILE BALLL REIGNED. HISTORIL VILLA UPGRA: ON THE OTHER HAND, HE IS SHOWN DOG A FEW THGS THE REAL BCE NEVER DID. HE NEVER ONCE BETRAYED WALLACE OR THE STTISH DURG THE WAR, LET ALONE FIGHTG FOR LONGSHANKS AT FALKIRK. LGHG MAD: OWG TO HIS BRIEF SANY SLIPPAGE, HE LGHS RATHER CREEPILY TO CRAIG WHILE THEORIZ OUT LOUD THAT WALLACE MAY TRY TO KILL HIM. LEEROY JENKS: LEADS THE CHARGE AT BANNOCKBURN. MY GOD, WHAT HAVE I DONE?: HE IS HNTED BY HIS BETRAYAL OF WALLACE, AND SUFFERS A THOAND-YARD STARE AFTER OBSERVG THE RNAGE AT FALKIRK. HE VOWS TO NEVER BETRAY THE STTISH AGA. NARRATOR: FILLS THIS ROLE FOR THE PROLOGUE AND THE EPILOGUE. ROYALS WHO ACTUALLY DO SOMETHG: LEADS THE STS TO BATTLE AT BANNOCKBURN. SANY SLIPPAGE: BRIEFLY UNRGO ONE DUE TO HIS GUILT FOR BETRAYG WALLACE, THOUGH DON’T SEEM TO LAST. SHUT UP, HANNIBAL!: HIS LAST WORDS TO HIS FATHER ARE, "MY HATE… WILL DIE… WH YOU." SUDNLY SHOUTG: "I DON’T WANT TO LOSE HEART!" THIS IS UNFIVABLE!: BEG ED TO PTURE WALLACE IS THE FAL STRAW FOR ROBERT AND HIS RELATNSHIP WH HIS FATHER, WHO BE AD TO HIM AFTER THIS. TOOK A LEVEL BADASS: AFTER NSTANTLY WAVERG ALLEGIANCE AND AVOIDG BATTLE WH THE STS, HE STANDS UP TO HIS FATHER, BEG HIS OWN MAN AND FIRMLY ALLYG HIMSELF WH STLAND, BEFORE LATER BEG KG OF THE STS AND LEADG THEM TO VICTORY AT THE BATTLE OF BANNOCKBURN. TRAGIC KEEPSAKE: WAS ABLE TO RETRIEVE MURRON’S WEDDG CLOTH THAT WALLACE HAD ONCE KEPT MEMORY OF HER FOLLOWG HIS EXECUTN. TRANQUIL FURY: HIS SHUT UP HANNIBAL TO HIS FATHER IS THIS. UNWTG PAWN: ACCINTALLY LEADS WALLACE TO A TRAP, ORCHTRATED BY HIS OWN FATHER. YOUNG FUTURE FAMO PEOPLE: IS PORTRAYED AS STILL A YOUNG STTISH NOBLE, ALBE A NTENR FOR THE THRONE. HE BE KG BY THE END OF THE FILM THOUGH. YOU'RE NOT MY FATHER: SAYS THIS TO THE ELR BCE AFTER DISVERG HIS TREACHERY.     MURRON MACCLANNOUGH MURRON MACCLANNOUGH"I’M DREAMG.""Y, YOU ARE. AND YOU MT WAKE."— WALLACE AND MURRON’S SPIR PORTRAYED BY: CATHERE MCCORMACKA CHILDHOOD IEND OF WALLACE WHO LATER BE HIS WIFE. HER EXECUTN BY THE ENGLISH IS WHAT PROVOK WALLACE’S REBELLN. ATTEMPTED RAPE: SMYTHE TRI TO RAPE HER BEFORE WALLACE STEPS . BETY IS NEVER TARNISHED: AVERTED AND THEN PLAYED STRAIGHT. SHE’S BADLY BLEEDG OM THE MOUTH AFTER HER ATTEMPTED RAPE AND SUBSEQUENT PTURE BY THE ENGLISH, BUT HER EXECUTN IS SHOT SO THAT NOTHG OF HER THROAT-SL IS SHOWN, NOT EVEN A LTLE BLOOD. DEFIANT TO THE END: REFED TO REVEAL WHERE WALLACE PED TO BEFORE SHE IS EXECUTED. SHE ALSO REFED TO BEG OR PLEAD FOR HER LIFE, SPE CLEARLY BEG AAID FOR HER LIFE. ELOPEMENT: MARRI WALLACE SECRET, AGAST HER FATHER’S WISH AND TO AVOID SUFFERG OM PRIMA NOCTA. ESTABLISHG CHARACTER MOMENT: AFTER PARTG THE FUNERAL OF WALLACE’S FATHER AND BROTHER WH HER PARENTS, SHE NOTIC WALLACE STANDG ALONE AND STILL GRIEVG BY THEIR GRAV. SHE THEN BREAKS OM HER PARENTS, GRABS A THISTLE, AND HANDS HIM THE FLOWER TO FORT HIM BEFORE SHE PARTS. THIS WOULD HAVE A PROFOUND EFFECT ON HIM LATER THE STORY. HELD GAZE: WHEN WALLACE RETURNS HOME AFTER 17 YEARS, SHE STAR AT HIM OM A DISTANCE, UNTIL HE MATCH HER GAZE AND STAR BACK. LATER, AFTER HER ATH, HER SPIR REPEATS THIS WH WALLACE BOTH A DREAM AND RIGHT BEFORE HIS ATH. HOPE SPOT: WALLACE NFIRMS TO HIMSELF THAT SHE HAS SAFELY RIDN AWAY. WHEN HE’S NOT LOOKG THOUGH, SHE IS KNOCKED OFF HER HORSE WH A STAFF TO THE CHT. THE LOST LENORE: DPE DYG EARLY, SHE REAPPEARS THROUGHOUT THE REMAR OF THE FILM DREAMS OR VISNS HAD BY WALLACE. MEANGFUL FUNERAL: A SCENE IS DITED TO HER RECEIVG THIS. PARENTAL MARRIAGE VETO: HER FATHER REF TO ALLOW WALLACE TO MARRY HER, PROMPTG THEM TO ELOPE. "SHUT UP" KISS: SHE KISS WALLACE RIGHT AFTER HE PROPOS TO HER. HE ASKS IF THAT'S A Y, WHICH SHE NFIRMS. SLASHED THROAT: HER MANNER OF ATH. SO BETIFUL, IT'S A CURSE: MURRON IS REGARD BY MANY TO BE A VERY BETIFUL WOMAN. HOWEVER, BED WH HER NOCENT NATURE, THIS ALSO ATTRACTS THE UNWANTED ATTENTN OF SMYTHE AND TWO OF HIS SOLDIERS WHO ATTEMPT TO RAPE HER. TOGETHER DEATH: APPEARS BEFORE WALLACE JT BEFORE HIS ATH, SG. TOO GOOD FOR THIS SFUL EARTH: SHE IS SHOWN TO BE THE WARMT AND MOST EMPATHETIC CHARACTER THE FILM, AND SHE IS EXECUTED FOR FIGHTG OFF HER ATTEMPTED RAPIST. TRAGIC KEEPSAKE: HER WEDDG CLOTH BE THIS FOR WALLACE. THE TRAGIC ROSE: OR THISTLE, TO BE EXACT. SHE GIV THIS TO WALLACE DURG THE FUNERAL FOR HIS FATHER AND BROTHER, WHICH HE KEEPS LONG AFTERWARD.     HAMISH CAMPBELL HAMISH CAMPBELL"I ULD CSH YOU, LIKE A WORM." PORTRAYED BY: BRENDAN GLEONWILLIAM WALLACE'S BT IEND AND ONE OF THE STTISH REVOLUTNARI. HE HONORS WALLACE AT BANNOCKBURN BY TOSSG WALLACE'S SWORD AND STARTG A CHANT HIS NAME, BEFORE CHARGG TO BATTLE. BATTLE CHANT: HE LEADS THE CHANT FOR WALLACE AT BANNOCKBURN. THE BIG GUY: IS MORE PHYSILLY IMPOSG THAN WALLACE HIMSELF, AND HIS STRENGTH TO GREAT EFFECT BATTLE. THE BLA ALWAYS LANDS POTY END IN: HE THROWS WALLACE’S SWORD AT BANNOCKBURN FIANCE AGAST THE ENGLISH AND OUT OF RPECT FOR WALLACE'S MEMORY, AND LANDS ON THE GROUND UPRIGHT. THIS DOUBL AS AN ELABORATE SWORD PLANT. BOISTERO BISER: HAS HAD A TENNCY TO START FIGHTS SCE HE WAS A BOY. CAPTA OBV: POTS OUT TO STEPHEN THAT HE IS A MADMAN. DEADPAN SNARKER: “WELL, WE DIDN’T GET DRSED UP FOR NOTHG.” DEATH GLARE: GIV ONE TO WALLACE WHEN THE LATTER IMPLI THAT HE N’T THROW A ROCK WHEN UNTS. EMOTNAL BISER: BE THIS AFTER THE ATH OF HIS FATHER. THE LANCER: TO WALLACE. LEEROY JENKS: KICKS OFF THE CHARGE AT BANNOCKBURN WH A SWORD THROW. MANCHILD: A VERY SUBTLE EXAMPLE THAT DOUBL AS "WELL DONE, SON" GUY. THE MOMENT WALLACE RETURNS TO LANARK, HAMISH, SPE HAVG GROWN UP, MONSTRAT A NEED TO PROVE HIS MANHOOD BY CHALLENGG WALLACE TO ONE. IT SEEMS TO BE PARTICULARLY OUT OF A SIRE TO IMPRS HIS FATHER, WHO NTU TO LL HIM "BOY." HIM ALSO THKG THAT 'S A GOOD IA TO PULL AN ARROW RIGHT OUT OF HIS FATHER'S CHT IS ANOTHER EXAMPLE, WHICH THE ELR CAMPBELL LAMPSHAS. HE EVENTUALLY MATUR OVER THE URSE OF THE REBELLN AND HIS EXPERIENCE BATTLE, WHICH HIS FATHER ACKNOWLEDG BEFORE DYG BY PROCLAIMG HOW PROUD HE IS OF THE MAN HE HAS BEE. MANLY TEARS: CRI UPON THE ATH OF HIS FATHER. SHIP TEASE: BRIEFLY EXCHANG A GLANCE WH NILETTE, ISABELLE'S HANDMAIN. TALK TO THE FIST: ENDS TO ARGUMENTS WH WALLACE WH THIS METHOD. THOSE TWO GUYS: BE SOMETHG LIKE THIS WH STEPHEN. TRAGIC KEEPSAKE: HE KEPT WALLACE’S SWORD AFTER HIS EXECUTN. UNSKILLED, BUT STRONG: AS MONSTRATED, HE IS STRONGER THAN WALLACE, HEAVG A ROCK FARTHER THAN HE N. HOWEVER, HE IS NOT AS EFFECTIVE WH HIS AIM. USE YOUR HEAD: STUNS AN ENGLISH SOLDIER WH THIS MOVE BEFORE THROWG HIM TO A SPIKE. VRLIC BT BUDS: HE IS WALLACE’S BT IEND, AND HE CKS HIM ON THREE SEPARATE OCSNS (THOUGH, ONLY THE LAST ONE WAS DONE OUT OF ANGER), WHILE WALLACE KNOCKS HIM DOWN WH A STONE THROW TO THE HEAD.     CAMPBELL THE ELR CAMPBELL THE ELR"I’VE LIVED LONG ENOUGH TO LIVE EE, PROUD, TO SEE YOU BEE THE MAN YOU ARE. I’M A HAPPY MAN." PORTRAYED BY: JAM COSMOHAMISH’S FATHER AND ONE OF THE REVOLUTNARI WALLACE’S ARMY. HE WAS ALSO A GOOD IEND TO MALLM WALLACE. ACTN DAD: PLAYS THIS ROLE RELATIVE TO HAMISH. ANNOYG ARROWS: SUBVERTED. HE IS BRIEFLY STOPPED BY ONE AT LANARK BUT NTU FIGHTG AFTER SPLTG HALF. THE WOUND IS LATER UTERIZED. BOISTERO BISER: PUNCH THE MAN WHO UTERIZ HIS ARROW WOUND. CROWD CHANT: AFTER WALLACE EXECUT THE SHERIFF OF LANARK, HE LEADS THE CHANT FOR “MACAULISH” AND “WALLACE.”NOTE “MACAULISH” MEANS "SON OF WALLACE" (REFERRG TO WILLIAM'S FATHER) STTISH GAELIC, THOUGH WOULD BE MORE ACCURATE TO WRE AS “MACUALLAIS”, SCE “MACAULISH” DON'T SEEM TO BE AN ACCEPTED ALTERNATE SPELLG. DEATH GLARE: GIV ONE TO THE MAN WHO UTERIZED HIS WOUND BEFORE PUNCHG HIM. THE DREAD: ANYONE WHO KNOWS BETTER KNOWS ’S NOT THEIR BT TERTS TO TAKE A HOT IRON TO HIS WOUNDS. EPIC FLAIL: WIELDS ONE AT FALKIRK. GO OUT WH A SE: DI WH NTENT FOR HIS LIFE AND PRI FOR HIS SON. I DIE FREE: BEFORE DYG, HE STAT HE IS NTENT WH DYG FOR HAVG LIVED HIS LIFE AS A EE MAN. HANDIPPED BADASS: HE LOST A HAND AT STIRLG, BUT DIDN'T STOP HIM OM GOG TO BATTLE WH A SHIELD FIXED ONTO HIS STUMP. LIKE FATHER, LIKE SON: IS A LARGE, BOISTERO, AND TIMIDATG MAN, JT LIKE HAMISH. MA OF IRON: GETS SHOT AT LANARK WH AN ARROW, HAS HIS HAND CHOPPED OFF AT STIRLG, AND IS STCK THE GUT WH AN AXE AT FALKIRK. THE LAST ONE IS WHAT FALLY KILLS HIM. OLD SOLDIER: AN OLD MAN WHO IS ONE OF WALLACE’S MOST EFFECTIVE SOLDIERS, AND SPE THE FACT THAT AGE HAS SLOWED HIM DOWN SOMEWHAT, HE IS STILL ABLE TO TAKE SEVERAL HS. SACRIFICIAL LN: ALONG WH MORRISON, MACGREGOR, AND STEWART, HE IS AMONG THE ONLY NAMED MEMBERS OF WALLACE’S ARMY TO DIE AT FALKIRK. THIS IS MEANT TO UNRSRE THEIR LOSS. SO PROUD OF YOU: HIS LAST WORDS TO HAMISH ARE HOW PROUD HE IS OF HIM FOR THE MAN HE HAS BEE. UNSTOPPABLE RAGE: PLAYED FOR COMEDY. WHEN HAMISH IS ASKED TO UTERIZE CAMPBELL’S ARROW WOUND, HE PASS TO MORRISON, WHO THEN PASS TO ANOTHER MAN. THEY HOLD CAMPBELL DOWN, BUT AFTER HE IS UTERIZED AND SHOUTS PA, THEY LET HIM GO AS HE LUNG AT THE MAN WHO HEALED HIM, CKG HIM. HE THEN ALMOST STANTLY LMS DOWN.     ROBERT THE ELR ROBERT THE ELR"ALL MEN BETRAY... ALL MEN LOSE HEART.""AT LAST, YOU KNOW WHAT MEANS TO HATE. NOW YOU'RE READY TO BE A KG." PORTRAYED BY: IAN BANNENTHE LORD OF ANNANDALE AND ROBERT THE BCE’S FATHER. HE IS SUFFERG OM LEPROSY AND HAS NO CHANCE OF BEG KG OF STLAND, BUT HOP TO ENSURE HIS SON’S CLAIM BY OFFICIALLY SUPPORTG THE ENGLISH. BCH SHEEP'S CLOTHG: HE AT FIRST ACROSS AS ROBERT’S ENFEEBLED YET AMB FATHER, WHO OFFICIALLY SIS WH THE ENGLISH ONLY SO HE N ENSURE HIS SON’S CLAIM TO THE THRONE. LATER, HE BETRAYS WALLACE TO THE ENGLISH, WHICH FURIAT HIS OWN SON. COMPOSE CHARACTER: HIS ROLE PTURG WILLIAM WALLACE IS BASED ON JOHN MENTEH, WHO IS ABSENT OM THE FILM. DON'T LOOK AT ME: INVERTED. HE MANDS HIS SON TO LOOK AT HIM, SPE HIS DISEASE, SO AS TO MAKE A POT. EVIL CHANCELLOR: HE HAS SHAS OF THIS, PECIALLY AFTER HIS TREACHERY IS REVEALED. HISTORIL UGLS UPDATE: THE REAL ROBERT BCE SR. WAS NOT A LEPER. HISTORIL VILLA UPGRA: DOWNPLAYED. THE REAL ROBERT BCE HAD NO PART WALLACE’S PTURE. HOWEVER, HE DID OFFICIALLY SI WH THE ENGLISH LIKE THE FILM, BUT THE FILM VERSN IS DOG SO BEE HE HOP WILL ENSURE HIS SON’S CLAIM, WHILE THE HISTORIL ROBERT BCE DID SO JT BEE HE DIDN’T WANT TO LOSE HIS OWN TL, AND WAS EVEN WILLG TO DISOWN THE YOUNGER ROBERT IF HE SID WH THE ENGLISH. IN ANY SE, WHILE HE OPPOSED THE STS, HE HAD LTLE IMPACT HIMSELF. KARMA HOUDI: HE NEVER RECEIV RETRIBUTN FOR BETRAYG WALLACE, THOUGH HE WILL DIE ALONE OF LEPROSY. ONE-STEVE LIM: ZIG-ZAGGED. HIS HISTORIL UNTERPART WAS NAMED ROBERT BS, AND WHILE THE FILM NFIRMS THAT HE SHAR HIS SON’S NAME, HE IS NEVER ONCE REFERRED TO BY . EVEN THE CREDS SIMPLY REFER TO HIM AS “THE LEPER.” THE POWER OF HATE: INVOK THIS TROPE WHEN HE CLAIMS THAT HIS SON IS NOW READY TO BEE KG. TREACHERO ADVISOR: IS REVEALED TO HAVE SOLD WALLACE OUT BEHD HIS SON’S BACK. VIRLY AMB: ALL OF HIS ACTNS AND SCHEMG ARE TO ENSURE HIS SON’S ASCENSN TO THE STTISH THRONE. WOUND THAT WILL NOT HEAL: HE SUFFERS OM LEPROSY.     CRAIG CRAIG"WE NNOT FEAT THIS ARMY!" PORTRAYED BY: JOHN KAVANAGHA STTISH NOBLE AND AN ALLY OF ROBERT THE BCE WHO BETRAYS WALLACE TO THE ENGLISH. BIG BAD FRIEND: HE APPEARS TO BE BCE’S IEND, BUT IS SECRETLY LEAGUE WH THE ENGLISH. CORPT POLICIAN: DPE BEG STTISH, HE, MORNAY, AND LOCHLAN PROVE TO BE AS BIG AN OBSTACLE FOR WALLACE AS THE ENGLISH. DEPOSE CHARACTER: BOTH HE AND ROBERT THE ELR ARE BASED ON JOHN MONTEH, A STTISH NOBLE WHO WAS RPONSIBLE FOR WALLACE’S PTURE AND NEVER FACED RETRIBUTN AFTERWARD. DIRTY COWARD: HE AVOIDS BATTLE AS MUCH AS POSSIBLE, AND THIS MAY BE HIS MOTIVATN FOR HELPG THE ENGLISH. KARMA HOUDI: DPE HIS ROLE WALLACE’S PTURE, HE STILL REMAS BCE’S SEND--MAND BY THE END OF THE FILM. OH, CRAP!: WHEN LOCHLAN’S BODY FALLS ONTO THE TABLE RIGHT ONT OF HIM. PET THE DOG: WHEN BCE TRI TO STOP THE ENGLISH SOLDIERS ARRTG WALLACE AND THEY TURN ON HIM, CRAIG CHARG TO THE AY AND PULLS BCE TO SAFETY. THE QUISLG: HE EVENTUALLY BETRAYS WALLACE TO THE ENGLISH, AND HE IS EAGER TO SUBM TO ENGLAND. THIS IS GONNA SUCK: AT BANNOCKBURN, HE EAGERLY LEADS BCE TO SUBM TO THE ENGLISH. HOWEVER, WHEN BCE ORRS HIM TO STOP, HE REALIZ WH A GROAN THAT BCE STEAD WISH TO FIGHT. TRAOR SHOT: HE MAK AN ASI GLANCE TO MEN HIDG AT WALLACE’S MEETG, WHICH ALERTS BCE TO THE BETRAYAL. TREACHERO ADVISOR: DPE BCE’S WISH, CRAIG DO EVERYTHG HE N TO SABOTAGE THE REBELLN TO AVOID NFLICT WH THE ENGLISH, CLUDG TURNG WALLACE OVER TO THE ENGLISH.     MORNAY MORNAY"THIS TIME, OUR ONLY OPTN IS TO NEGOTIATE." PORTRAYED BY: ALUN ARMSTRONGA STTISH NOBLE WHO IALLY ASSISTS WALLACE THE REBELLN, BEFORE BETRAYG HIM AT FALKIRK. THE CAVALRY: HE ENSUR STTISH VICTORY AT STIRLG BY LEADG THE VALRY . INVERTED AT FALKIRK WHERE HIS REFAL TO PLOY HIS VALRY ENSUR ENGLISH VICTORY. CORPT POLICIAN: DPE BEG STTISH, HE, CRAIG, AND LOCHLAN PROVE TO BE AS BIG AN OBSTACLE FOR WALLACE AS THE ENGLISH. CEL AND UNUAL DEATH: TAKG A LARGE IRON BALL TO THE FACE IS A NASTY WAY TO GO. DEADPAN SNARKER: GETS A GOOD ONE AFTER WALLACE SULTS THE ENGLISH MANR AT STIRLG, ENSURG A BATTLE WILL ENSUE.MORNAY: I'D SAY THAT WAS RATHER LS RDIAL THAN HE'S ED TO. GREED: LONGSHANKS REVEALED THAT HE BOUGHT MORNAY’S LOYALTY THROUGH OFFERS OF LAND AND TL. KARMIC DEATH: WALLACE SMASH HIS FACE FOR HIS BETRAYAL. OH, CRAP!: HE IS ABSOLUTELY HORRIFIED WHEN WALLACE BURSTS THROUGH HIS DOOR. OR WAS IT A DREAM?: HE HAS A NIGHTMARE OF WALLACE RIDG THE NIGHT WH THE TENT TO KILL HIM. AFTER HE WAK UP AND LMS DOWN, GUS WHO BARG THROUGH THE DOOR? REWARD AS A TRAOR DERV: WALLACE PERSONALLY EXECUT HIM. THE QUISLG: HE EVENTUALLY SUBMS TO THE ENGLISH. TRAOR SHOT: HIS TREACHERY IS DITED WHEN HE MAK A SHADY ASI GLANCE TO LOCHLAN BEFORE LEADG HIS VALRY AWAY.     LOCHLAN LOCHLAN"THIS IS OUR ARMY. TO JO , YOU GIVE HOMAGE!" PORTRAYED BY: JOHN MURTAGHA STTISH NOBLE WHO IALLY ASSISTS WALLACE THE REBELLN, BEFORE BETRAYG HIM AT FALKIRK. CORPT POLICIAN: DPE BEG STTISH, HE, CRAIG, AND MORNAY PROVE TO BE AS BIG AN OBSTACLE FOR WALLACE AS THE ENGLISH. DU, WHERE'S MY RPECT?: HE CHASTIS WALLACE FOR NOT SALUTG HIM AND THE OTHER NOBL AT STIRLG. *DROOL* HELLO: WHILE THE NOBL EAT, BLOOD SUDNLY DRIPS DOWN ON CRAIG’S MEAL. WHEN HE LOOKS UP, LOCHLAN’S RPSE DROPS OM THE RAFTERS. KARMIC DEATH: WALLACE HUNTS HIM DOWN AND KILLS HIM FOR HIS BETRAYAL. PRI: UNLIKE MORNAY, HE DIDN’T REQUIRE MUCH BRIBG OM LONGSHANKS TO BETRAY WALLACE. JUDGG BY HIS DIALOGUE, HE SEEMED TO BE MORE MOTIVATED BY WALLACE’S NTUED DISRPECT OF HIM AND THE OTHER NOBL. SLASHED THROAT: HOW WALLACE DISPATCH HIM. REWARD AS A TRAOR DERV: WALLACE PERSONALLY EXECUT HIM. THE QUISLG: HE EVENTUALLY SUBMS TO THE ENGLISH. TRAOR SHOT: HIS TREACHERY IS DITED WHEN HE MAK A SHADY ASI GLANCE TO MORNAY BEFORE LEADG HIS VALRY AWAY.     MORRISON MORRISON"WELL I'M HERE TO CLAIM THE RIGHT OF A HBAND!" PORTRAYED BY: TOMMY FLANAGANONE OF WALLACE'S SOLDIERS WHO TOOK PART HIS UPRISG AT LANARK. HE HAS A PERSONAL VENTTA AGAST THE ENGLISH DUE TO HIS WIFE BEG THE VICTIM OF PRIMA NOCTAE. ANNOYG ARROWS: AVERTED. THREE ARROWS TO THE TORSO KILL HIM. BT SERVED COLD: HIS WIFE STOPS HIM OM FIGHTG OFF BOTTOMS'S GUARDS AS SHE IS TAKEN AWAY, KNOWG THAT HE WAS OUTNUMBERED. LATER, AFTER TAKG HIS BASE OF OPERATNS, MORRISON IS EE TO EXACT HIS REVENGE ON LORD BOTTOMS. DO WH HIM AS YOU WILL: AFTER PTURG BOTTOMS'S OUTPOST, WALLACE GRANTS MORRISON THE HONOR OF KILLG HIM. FORCED TO WATCH: HE N DO NOTHG BUT WATCH AS LORD BOTTOMS RIS AWAY WH HIS WIFE. IT'S PERSONAL: AGA, LORD BOTTOMS RO OFF WH HIS WIFE ON THEIR WEDDG DAY. THIS NNOT BE STATED ENOUGH TIM. NO-HOLDS-BARRED BEATDOWN: DISPATCH OF BOTTOMS WH AN EPIC FLAIL. SACRIFICIAL LN: HE DI AT FALKIRK SO AS TO DRIVE HOME THE LOSS THE STTISH SUFFERED.    MACCLANNOUGH MACCLANNOUGH"ONE DAY, WALLACE, YOU WILL HAVE TO FIGHT." PORTRAYED BY: SEáN MCGLEYMURRON'S FATHER, WHO DISAPPROV OF HER MARRYG WALLACE. BACK FOR THE FALE: HE SEEMS TO DISAPPEAR OM THE MOVIE AFTER MURRON'S ATH AND DON'T TAKE PART WALLACE'S REBELLN. HOWEVER, AT THE END OF THE FILM, EAGLE-EYED VIEWERS WILL SEE HIM AMONG THE STTISH RANKS AT BANNOCKBURN AND TAKG PART THEIR CHARGE. THE DRAG-ALONG: IN THE PROLOGUE, MALLM WALLACE URG THE OTHER VILLAGERS TO FIGHT THE ENGLISH. MACCLANNOUGH IS OPENLY SKEPTIL BUT AGRE TO TAKE PART WH A RIGNED "ALRIGHT, ALRIGHT!" THEIR REBELLN ULTIMATELY FAILS, AND MACCLANNOUGH REMAS SKEPTIL OF REBELLN LATER THE FILM, UNTIL THE VERY END, THAT IS. FIVENS: AT MURRON'S FUNERAL, WALLACE BOWS HIS HEAD TO MACCLANNOUGH, ASHAMED AT HIS OWN FAILURE TO SAVE HER. IN RPONSE, MACCLANNOUGH GENTLY RTS HIS HAND ON WALLACE'S HEAD: A WORDLS SIGN OF FIVENS. OUTLIVG ONE'S OFFSPRG: AFTER THE MURR OF HIS DGHTER. HE IS SO STUNNED THAT HE N'T EVEN WEEP AT HER FUNERAL. PARENTAL MARRIAGE VETO: HE REF TO GIVE WALLACE HIS BLSG TO MARRY MURRON. THIS ISN'T DUE TO ANY PERSONAL DISLIKE OF WALLACE, HOWEVER, BUT IS STEAD BEE HE FEARS HER BEG SUBJECTED TO PRIMA NOCTAE. HE ALSO (RRECTLY) PREDICTS THAT WALLACE WILL EVENTUALLY BE FORCED TO FIGHT, AND THAT WOULD PUT HER MORE DANGER. IRONILLY, THIS IS WHAT WALLACE TO EVENTUALLY ACCEPT THE LL.THE ENGLISH     KG EDWARD THE LONGSHANKS KG EDWARD THE LONGSHANKS OF ENGLAND"BRG ME WALLACE. ALIVE IF POSSIBLE; AD… JT AS GOOD." PORTRAYED BY: PATRICK MCGOOHANTHE FILM’S ANTAGONIST; HE IS THE KG OF ENGLAND AND SEEKS TO LE OVER STLAND. IN THE MEANTIME, HE IS NCERNED WH AN APPARENT SUCCSN-CRISIS REGARDG HIS SON, AND HE IS ALSO BY FORMG AN ALLIANCE WH HIS CHIEF RIVAL, FRANCE. HE TAK THE STTISH REBELLN MORE SERLY AFTER STIRLG AND YORK AND SEEKS TO PTURE AND EXECUTE WALLACE. ABIVE PARENTS: MURRS HIS SON'S LOVER, AND THEN BEATS HIM AFTERWARD. AND I MT SCREAM: ISABELLA TELLS HIM ON HIS ATHBED THAT SHE IS RRYG WALLACE'S CHILD, MEANG THAT HIS LE WILL EFFECTIVELY END WH HIS SON, AND HE N DO NOTHG OTHER THAN STARE HORROR. BAD BOSS: THROWS PHILLIP OUT OF THE WDOW FOR GIVG HIM UNSOLICED ADVICE. LATER ORRS A BARRAGE OF ARROWS ON HIS OWN MEN TO TAKE OUT THE STTISH. THE BAD GUY WS: SUBVERTED: HE PTUR AND KILLS WALLACE, AND REMAS NTROL OF STLAND BY THE TIME HE DI. BUT 'S A HOLLOW VICTORY, AS HE LEARNS THAT HIS LE WILL END WH EDWARD II AND BE REPLACED WH WALLACE'S SCENDANTS. LATER, AFTER HIS ATH, THE STTISH FALLY REGA THEIR PENNCE. THE CHSMASTER: ULTIMATELY PUTS DOWN THE REBELLN (THAT IS, UNTIL HE DI) MALY THROUGH POLIL SCHEM. COOL OLD GUY: EVEN THOUGH HE'S ELRLY, AILG AND ROTTEN TO THE RE, HE STILL HAS ENOUGH FIGHTG STRENGTH HIM TO THROW A MAN OUT THE WDOW, AND HE EFFORTLSLY BEATS DOWN HIS MUCH YOUNGER SON. IN TERMS OF DISPOSN, HE ALSO SEEMS TO HAVE NO RPECT FOR SUCKUPS AND Y-MEN, AS SHOWN WHEN HE STUT PRIMA NOCTE:NOBLEMAN: "A MOST EXCELLENT IA, YOUR MAJTY!"KG EDWARD: *WH PALPABLE IRRATN* "IS ?" DEADPAN SNARKER: HE IS VERY SNI AND SHARP-TONGUED, WHICH THROUGH DRY MENTS ABOUT THGS HE FDS AMG, OR FOOLISH. DEATH GLARE: A MASTER OF THE. DTATN DEFENTRATN: KILLS PHILLIP THIS WAY. DI WI OPEN: HE SUFFERS A FATAL HEART ATTACK WHEN WALLACE YELLS “FREEDOM!” THE DREAD: HE CERTALY HAS THIS REPUTATN THE FILM. HE ALSO HAD THIS REAL LIFE. A PRIT IS SAID TO HAVE DIED OUT OF THE SHEER SHOCK OF MEETG HIM. EVIL OLD FOLKS: HE'S OLD AND... PRETTY EVIL. EYE TAKE: THE MERA FOC ON HIS GAZE AS HE HEARS OF ISABELLA'S CEPTN OM HER, MALY BEE HE N ONLY EXPRS HIMSELF WH HIS EY AT THIS POT. FICTNALIZED DEATH ACUNT: NOT THAT REALLY CHANG ANYTHG THE MOVIE, BUT THE REAL LONGSHANKS DIDN'T DIE UNTIL ABOUT TWO YEARS AFTER WALLACE, OF DYSENTERY WHILE WAGG WAR AGAST ROBERT THE BCE, WHO BY THEN HAD BEEN CROWNED KG AND WAS LEADG THE STS REBELLN AGAST THE ENGLISH. HAIR-TRIGGER TEMPER: WHEN HE DON'T HAVE HIS WAY, LONGSHANKS DISPLAYS A VERY AGGRSIVE TEMPER, AND WILL EVEN KILL PEOPLE IF THEY B HIM THE WRONG WAY. HISTORIL VILLA UPGRA: PLAYED WH: WHILE A VERY NTROVERSIAL KG, MANY OF HIS NEFAR ACTNS THE FILM ARE EHER EXAGGERATED OR ENTIRELY FICTNAL. HE NEVER MANDATED PRIMAE NOCTIS, FOR ONE, NEVER MURRED HIS SON’S LOVER, WOULD LIKELY HAVE NEVER KILLED HIS OWN TROOPS FOR VICTORY, AND NEVER MURRED HIS OWN SUBJECTS. HIS SFFG AT CHARY IS ALSO UNLIKELY, SCE HE WAS VERY GENERO REAL LIFE, THOUGH THIS WAS MANDATED BY THE CHURCH. HE WAS ALSO A LOVG HBAND AND FAY MAN, SPE HIS ATTU TOWARDS WOMEN AND HIS TREATMENT OF HIS SON THE MOVIE. HISTORIL VILLA DOWNGRA: THE FILM ALSO MANAG TO DOWNPLAY OR IGNORE ALL THE OTHER ACTS EDWARD HAS DONE SUCH AS VADG WAL BEE THE LEAR OF WAL SID WH THE BARONS AND MURRG AND IMPRISONG HIM AND HIS FAY, AND HOW HE WAS AN ACTIVE ANTI-SEME TO BOOT, MAKG AN EDICT EXPELLG JEWS ENGLAND. INCURABLE COUGH OF DEATH: HE SUFFERS OM THIS, AND EVENTUALLY DI. JERKASS HAS A POT: HIS MURRG PHILLIP PERSONALLY MAK SENSE OM THE POT OF VIEW THAT HE IS A POTENTIAL LIABILY. AT THE VERY LEAST HE'S CLEARLY NEVER FOUGHT A BATTLE HIS ENTIRE LIFE AND ISN'T QUALIFIED TO BE ADVISG A PRCE OR A KG ON MATTERS OF STATE, SO THE DANGER OF HIM BEG THE POWER BEHD THE PRCE'S FUTURE THRONE HAS TO BE AVERTED. IF HE IS FLUENCG HIS SON, THEN THE GUY HAS GOT TO GO. JERK WH A HEART OF JERK: HE POLELY ALLOWS ISABELLA TO ATTEND HIS URT SPE HAVG SENT FOR PRCE EDWARD STEAD, UNR THE PRETENSE OF TEACHG HER HOW TO LE. HE THEN PROCEEDS TO OUTLE HIS PLAN TO RESTATE PRIMA NOCTA STLAND, ALL THE WHILE STARG AT HER TENTLY, AS THOUGH HE KNOWS WOULD MAKE HER UNFORTABLE. KARMA HOUDI: SUBVERTED: HE DI HIS SLEEP WHOUT EVER RELQUISHG NTROL OVER STLAND OR HAVG RECEIVED ANY RETRIBUTN FOR HIS APPARENT TYRANNY, WHILE ALSO SUCCEEDG EXECUTG WALLACE. HOWEVER, JT BEFORE HE DI, HE LEARNS THAT ISABELLA IS RRYG WALLACE’S CHILD AND WILL WIPE OUT HIS LE WH PRCE EDWARD, AND THERE IS NOTHG HE N DO ABOUT . KICK THE DOG: HE REVEALS HIS PLAN FOR PRIMA NOCTA ONT OF ISABELLA, IMPLICLY BEE HE KNOWS WOULD MAKE HER UNFORTABLE AS A WOMAN. MURRS HIS SON’S GAY LOVER (OSTENSIBLY FOR GIVG UNSOLICED ADVICE, WHICH ISN’T ANY BETTER THAN HOMOPHOBIA), THEN LERALLY KICKS HIS SON FOR RETALIATG. LACK OF EMPATHY: THIS SHOWS WHEN HE SUDNLY KILLS HIS SON’S LOVER RIGHT ONT OF HIM AND THEN PROCEEDS TO BEAT HIM (GRANTED, SELF-FENSE), BEFORE STG DOWN TO PLOT WHILE HIS SON LI CRYG ON THE FLOOR. LARGE AND CHARGE: BOTH MCGOOHAN AND THE REAL LONGSHANKS WERE 6’2. LIGHT IS NOT GOOD: HE HAS SNOW-WHE HAIR AND IS REGULARLY ADORNED SRLET-GOLD ROB. MISOGYNY: IMPLIED BY HIS ATTU TOWARDS ISABELLA AND HIS RESTATEMENT OF PRIMA NOCTA. HOWEVER, PRAGMATIC VILLAY FORC HIM TO AVOID ACTG ON THIS WH ISABELLA. OBLIVLY EVIL: LONGSHANKS IS THAT TYPE OF CHARACTER WHO ONLY THKS HE IS DOG GOOD, BUT HE REALLY ISN'T. OH, CRAP!: WHEN ISABELLA TELLS HIM THE TTH OF HER PREGNANCY, HIS EY GO WI AND HE BREATH HEAVILY. IT’S ALL HE N DO SCE HIS DISEASE HAS RENRED HIM MUTE AND UNABLE TO MOVE. PRAGMATIC VILLAY: DPE HAVG SENT FOR HIS SON, HE ALLOWS ISABELLA TO ATTEND HIS URT SCE APPEARS THAT PRCE EDWARD HAS NO TERT LEARNG HOW TO LE, MEANG SHE WOULD HAVE TO LEARN HOW TO HIS STEAD. HE ALSO FEATS WALLACE ON THE BATTLEFIELD BY SIMPLY BUYG OFF THE RIGHT STTISH NOBL. SENDS ISABELLA TO TREAT WH WALLACE NOT BEE SHE'S NECSARILY DISPOSABLE, BUT BEE SHE'S BASILLY THE SAFT OPTN HE N THK OF: "WHO N I SEND? NOT I, FOR IF I WERE TO FALL UNR THE SWORD OF THAT MURRER MIGHT BE MY HEAD A BASKET. AND NOT MY... GENTLE SON, FOR THE BARE SIGHT OF HIM WOULD ONLY ENURAGE AN ENEMY TO TAKE OVER THE WHOLE UNTRY." PRE-MORTEM ONE-LER: “THEN TELL ME… WHAT ADVICE WOULD YOU OFFER ON THE PRENT SUATN?” *HE THEN PROCEEDS TO THROW PHILLIP OUT OF THE WDOW.* ROYALS WHO ACTUALLY DO SOMETHG: HE MAY BE A BASTARD, BUT HE DID LEAD THE ENGLISH TO VICTORY AT FALKIRK (EVEN IF WAS AT THE SIL). SADIST: SEEMS TO TAKE GREAT LIGHT MAKG ISABELLA UNFORTABLE AS HE EXPLAS HOW PRIMA NOCTA WORKS TAIL. SCREW THE RUL, I MAKE THEM!: THROWS A MAN OUT A WDOW TO HIS ATH, THE GUARDS IGNORE WHEN THEY SEE THE GUY WHO DID IS THE KG. VILLA DEY: GRADUALLY BE OLR AND SICKER OF THE YEARS BEFORE BEG PLETELY BED-RIDN. VILLAO BSOD: THE TTH OF ISABELLA’S PREGNANCY PROMPTS A VERY SUBTLE VERSN OF THIS. WE HAVE RERV: TROPE NAMER: HE ORRS ONE OF HIS LORDS TO LOOSE ARROWS ON THE STTISH. WHEN SAID LORD POTS OUT THAT THEY WILL H THEIR OWN MEN, HE STAR AT HIM AND RPONDS, “Y… BUT WE’LL H THEIRS AS WELL. WE HAVE RERV.” WOULD HURT A CHILD: AMONG THE NOBL HE TRICKED AND HANGED DURG THE PROLOGUE IS A BOY NO OLR THAN WILLIAM WALLACE AT THE TIME, WHO MAY HAVE BEEN A NOBLE'S SON OR SQUIRE ATTENDG THE MEETG. ALSO HIS ABE OF HIS SON IS IMPLIED TO HAVE BEEN GOG ON FOR A LONG TIME, AS NOBODY SEEMS TOO SURPRISED OR OUTRAGED BY .     PRCE EDWARD PRCE EDWARD OF ENGLAND"I WILL STAND UP TO HIM, AND MORE." PORTRAYED BY: PETER HANLEYTHE PRCE OF ENGLAND AND LONGSHANKS’ PETENT AND EFFECTUAL SON. HE HAS NO TERT HIS WIFE ISABELLA, POSG SOMETHG OF A SUCCSN CRISIS FOR THE MONARCHY. ADAPTATNAL WIMP: EDWARD II WAS AS WEAK A LEAR AS THE FILM PORTRAYS HIM AS, BUT HE WAS NOT A FEEBLE WARD HIMSELF. HE WAS NOTED FOR BEG TALL AND MCULAR, AND, ASI OM THE FACT THAT THE REAL EDWARD II ACTUALLY ATTEND BANNOCKBURN WHILE THE FILM'S VERSN DON’T, EDWARD II HAD TO BE DRAGGED AWAY OM THE BATTLEFIELD BY HIS OWN MANRS WHEN THEY REALIZED WAS LOST, AS HE WANTED TO STAY AND FIGHT. AMBIGUOLY GAY: ASI OM A TRATED SULT OM HIS , ’S NEVER OUTRIGHT STATED, BUT ’S STRONGLY IMPLIED. THEN THERE'S HIS DIGNANT RAGE AND SOBBG AFTER LONGSHANKS MURRS PHILLIP, SUGGTG THAT THEY WERE HAVG A HOMOSEXUAL RELATNSHIP. EFFEMATE MISOGYNISTIC GUY: OUTSI OF BEG NEGLECTFUL TO ISABELLA, HE CROSS TO THIS TERRORY NEARLY EVERY TIME HE TALKS WH HER, BARELY HIDG HIS SRN. EFFEMATE VOICE: HE'S PLAYED WH A VERY MPY TENOR. EVEN EVIL HAS LOVED ON: NOT HIS FATHER, BUT HE CLEARLY R ABOUT PHILIP ENOUGH TO ATTACK LONGSHANKS WH A DAGGER FOR KILLG HIM. EYE TAKE: HIS REACTN TO PHILLIP’S ATH. FLAT CHARACTER: EDWARD GETS LTLE CHARACTERIZATN OUTSI OF BEG LONGSHANKS’ PETENT AND WEAK SON, WH ONLY HIS HOMOSEXUALY GIVG HIM SOME PTH. HIS ROLE IS MOSTLY MEANT TO DRIVE ASPECTS OF THE NARRATIVE: HIS NEGLECT OF ISABELLA IS PARTLY WHY SHE GO TO WALLACE, AND HIS HOMOSEXUALY LEADS TO A SUCCSN CRISIS THAT CULMAT ISABELLA GETTG THE LAST LGH ON LONGSHANKS. FURTHERMORE, HE SERV AS A NTRAST TO BOTH WALLACE AND, MORE IRONILLY, HIS OWN FATHER, WHERE HIS WEAKNS SERVE TO HIGHLIGHT THEIR OWN STRENGTHS AS THE PROTAGONIST AND ANTAGONIST. FOIL: TO BOTH WALLACE AND LONGSHANKS. HARMLS VILLA: HE'S SO PATHETIC THAT HE N'T EVEN FEAT AN OLD MAN BAT, LET ALONE MANAGE HIS KGDOM AND ARMY EFFECTIVELY. HIDN DEPTHS: HE IS SHOWN ENJOYG HIMSELF WHILE HE PRACTIC ARCHERY. LIKE FATHER, UNLIKE SON: LONGSHANKS IS THE LD, DOMEERG, AND THLS KG OF ENGLAND WHO TROUNC THE STS ON THE BATTLEFIELD. PRCE EDWARD IS... NOT. NARCISSIST: HE'S NSTANTLY SEEN ADMIRG HIMSELF MIRRORS. NON-ACTN GUY: HE TRI ATTACKG HIS FATHER WH A KNIFE FOLLOWG PHILLIP'S MURR, BUT HE IS EASILY BEATEN, SPE LONGSHANKS'S ADVANCED AGE. ONE-STEVE LIM: ZIG-ZAGGED. BOTH ARE CREDED AND NFIRMED -FILM AS EDWARD, BUT THE ELR EDWARD IS NSISTENTLY REFERRED TO BY “LONGSHANKS,” PROBABLY TO AVOID NFN. PRETTY BOY: YOUNG, LHE, ROSY-CHEEKED, PALE, AND BEARDLS, WHICH IS ALL A STARK NTRAST TO HIS FATHER. SISSY VILLA: HE’S WEAK, EFFEMATE, AND AN PETENT WAR-TIME MANR WH NO BS BEG BAT. SMUG SNAKE: SFFS AT ISABELLA AFTER SHE BEGS FOR WALLACE’S LIFE. LTLE DO HE KNOW THAT SHE IS PREGNANT WH WALLACE’S CHILD, AND TENDS TO EVENTUALLY POSE EDWARD, WIPG OUT HIS LE.     THE MAGISTRATE THE MAGISTRATE"AN ASSLT ON THE KG’S SOLDIERS IS THE SAME AS AN ASSLT ON THE KG HIMSELF." PORTRAYED BY: MALLM TIERNEYTHE MAGISTRATE AT LANARK, WHO EXECUT MURRON AN ATTEMPT TO DRAW WALLACE OUT. HIS ACTNS STEAD RULT HIS ATH AND REBELLN AGAST ENGLAND. ALL CRIM ARE EQUAL: HE VOK THIS BY PARG MURRON AND WALLACE’S ASSLT ON THE KG’S SOLDIERS TO ASSLTG THE KG HIMSELF. AND THERE WAS MUCH REJOICG: HIS ATH BY THE CIZENS OF LANARK. BRG IT: “NOW, LET THIS SCRAPPER E TO ME.” EVERYONE CALLS HIM "BARKEEP": HE IS ONLY CREDED AS “MAGISTRATE.” NO NAME GIVEN: HIS HISTORIL UNTERPART WAS KNOWN, HOWEVER, AS WILLIAM HELRIG, WHO WAS THE SHERIFF OF LANARK THAT WAS KILLED BY WILLIAM WALLACE AT THE START OF HIS UPRISG. KARMIC DEATH: WALLACE KILLS HIM THE EXACT SAME MANNER AS HE EXECUTED MURRON. OH, CRAP!: WHEN WALLACE SUDNLY ATTACKS HIS MEN. ONE-STEVE LIM: AS MENTNED, HE IS BASED ON WILLIAM HELRIG, AND SHARG THE SAME FIRST NAME WH THE PROTAGONIST IS PROBABLY WHY HE WENT UNNAMED. PUNCH-CLOCK VILLA: HE NSIRS HIMSELF THIS, TREATG HIS EXECUTN OF MURRON AS A JTIFIED BREAK OM HIS APPARENT "LENIENCY" TO SET AN EXAMPLE. SLASHED THROAT: HE KILLS MURRON THIS WAY. WALLACE KILLS HIM THIS WAY. SMALL ROLE, BIG IMPACT: HE MURRS THE LOVE TERT OF THE PROTAGONIST, WHICH TURN PROVOK WALLACE’S ENTIRE REBELLN. SMUG SNAKE: IS FULLY NFINT HIS GARRISON’S ABILY TO TAKE WALLACE. THEY ARE ALL ANNIHILATED, AND HE GETS EXECUTED. WOULD H A GIRL: HE NONCHALANTLY CUTS MURRON’S THROAT.     PHILLIP PHILLIP"I AM SKILLED THE ARTS OF WAR AND ARY TACTICS, SIRE." PORTRAYED BY: STEPHEN BILLGTONPRCE EDWARD’S HIGH COUNSELOR, AND POSSIBLY HIS LOVER. AMBIGUOLY GAY: IT’S NEVER OUTRIGHT STATED, BUT ’S STRONGLY IMPLIED. BURY YOUR GAYS: HE IS SUDNLY KILLED BY LONGSHANKS MIDWAY THROUGH THE FILM. DTATN DEFENTRATN: HIS MANNER OF ATH. HELD GAZE: HE AND EDWARD STARE AT ONE ANOTHER DURG EDWARD’S WEDDG, WHICH DIT THEIR APPARENT RELATNSHIP. MANLY GAY: RELATIVE TO EDWARD, HE IS MORE NFINT, OUTSPOKEN, AND ASSERTIVE THAN HIM, THOUGH GETS HIM KILLED. NEPOTISM: DPE NO APPARENT QUALIFITNS, EDWARD MAK HIM HIS HIGH COUNSELOR. NO HISTORIL FIGUR WERE HARMED: HE IS BASED ON PIERS GAVTON, A NOBLE WHO WAS MORED TO BE EDWARD II’S LOVER. HE WAS NOT KILLED BY LONGSHANKS BUT STEAD OUTLIVED HIM, ULTIMATELY MAKG ENEMI URT DUE TO BEG EDWARD II’S FAVOURE, WHICH LED TO HIS EXILE AND EVENTUAL ASSASSATN 1312. OH, CRAP!: HE HAS JT ENOUGH TIME TO PULL OFF A RATHER EPIC ONE BETWEEN LONGSHANKS GRABBG HIM OM BEHD AND TOSSG HIM OUT A WDOW. SMALL NAME, BIG EGO: OVERLAPS WH TOO DUMB TO LIVE. A MAN WH NO APPARENT LANDS OR TL, HE SOMEHOW THKS HE N TALK TO THE KG OF ENGLAND NOT ONLY OUT OF TURN BUT ALSO ADDRS HIM AS THOUGH THEY WERE PEERS. AS A URT DANDY HE ALSO HAS THE GALL TO CLAIM SKILL " THE ARTS OF WAR AND ARY TACTICS" TO A HARNED VETERAN. LONGSHANKS ACTUALLY SHOWS REMARKABLE RTRAT BY FIRST IGNORG HIM THEN TRYG TO VERBALLY REMD HIM OF HIS PLACE, AND ONLY KILLS THE GUY AFTER HE REPEATEDLY FAILS TO TAKE THE HT. TOO DUMB TO LIVE: HE GIV LONGSHANKS UNSOLICED ADVICE AND NTU TO ASSERT HIMSELF SPE LONGSHANKS’S OBV ANNOYANCE BEFORE FALLY ALLOWG LONGSHANKS TO LEAD HIM TO A WDOW.    CHELTHAM CHELTHAM"YOU ARE OUTMATCHED. HAH, YOU HAVE NO HEAVY VALRY. IN TWO CENTURI, NO ARMY HAS WON WHOUT ." PORTRAYED BY:' GERARD MCSORLEYTHE ENGLISH SEND--MAND AND FIELD MANR AT STIRLG. HE IS BASED ON SIR HUGH CRSGHAM, THE ENGLISH TREASURER WHO HAD THE SAME ARY ROLE AT THE BATTLE OF STIRLG BRIDGE. ACTUALLY PRETTY FUNNY: NORMALLY LLECTED, HE N'T HELP BUT CKLE AT WALLACE'S BRAVADO. HE SHOULD HAVE TAKEN MORE SERLY. ADAPTATNAL INTELLIGENCE: HUGH CRSGHAM WAS THE ONE WHO SUGGTED THE DISASTRO FULL-SLE ATTACK AGAST THE STS AT STIRLG, NOT JOHN WARRENE, HIS SUPERR, WHOM LORD TALMADGE WAS BASED ON. IN THE FILM, CHELTHAM ADVIS AGAST SUCH AN ACTN. BUY THEM OFF: HE TRI TO NVCE THE STTISH NOBL AT STIRLG TO STAND DOWN, PROMISG THEM LUCRATIVE LANDS ENGLAND. IT MIGHT HAVE WORKED ON THEM, BUT WALLACE N'T BE BOUGHT OFF. DRAGON--CHIEF: HE'S NOT THE OVERALL MANR OF THE ARMY SENT TO PUT DOWN WALLACE BUT HE'S THE ONE DIRECTG THE TROOPS. FRONTLE GENERAL: AFTER HIS VALRY ARE ANNIHILATED, HE PERSONALLY LEADS THE ENGLISH FANTRY TO BATTLE AT STIRLG. HISTORIL VILLA DOWNGRA: HIS HISTORIL ANALOGUE, HUGH CRSGHAM, WAS NOTORLY THLS HIS METHODS TO SUBJUGATE STLAND FOR LONGSHANKS, AND WAS KNOWN TO HAVE FLAYED PRISONERS. THIS IS NOT MONSTRATED OR REFERENCED THE FILM. HYPER-COMPETENT SIKICK: HE'S MORE UT AND REALISTIC THAN THE MA MANR, LORD TALMADGE, WHO PROVED TO BE FAIRLY RASH HIS BATTLE TACTICS. MOUTH OF SRON: HE SERV AS ONE TO LONGSHANKS. NICE JOB FIXG IT, VILLA: HIS CISN TO SEND ENGLISH HEAVY VALRY AT THE STS RULTS HIS ARMY'S BT TROOPS BEG ANNIHILATED AND THE STS EMBOLNED TO TAKE THE FIGHT TO THE ENGLISH FANTRY ON EQUAL TERMS. NO HISTORIL FIGUR WERE HARMED: HE'S BASED ON HUGH CRSGHAM, AN EXTREMELY UNPOPULAR ENGLISH LORD HATED BY THE STTISH WHO ADVOTED ATTACKG THE STS AT STIRLG, A CISN THAT, LIKE HIS CEMATIC UNTERPART, ST HUGH HIS LIFE (THOUGH THE FILM, HE P THE FATE OF HIS HISTORIL UNTERPART, WHO WAS FLAYED BY WALLACE FOR A SWORD BELT). OFF WH HIS HEAD!: WALLACE CUTS HIS HEAD OFF THE HEAT OF BATTLE. OH, CRAP!: AFTER HIS HORSE IS KILLED, HE HAS TIME FOR THIS AFTER GETTG BACK TO HIS FEET ONLY TO FD WALLACE LOOMG OVER HIM WH A SWORD HAND. BEFOREHAND, HE AND HIS BOSS HAVE THIS REACTN WHEN THE STS ANNIHILATE THE ENGLISH HEAVY VALRY. SMUG SNAKE: VERY MUCH OVERNFINT HIS ABILY TO W. UNRTIMATG BADASSERY: HE PLETELY DISMISS THE STS' ABILY TO FEAT THE ENGLISH. IT ENDS WH HIS ARMY ANNIHILATED AND HIM SLA. VILLAO VALOR: HE PERSONALLY LEADS THE ENGLISH FANTRY TO BATTLE AT STIRLG AND WAS WILLG TO FACE WALLACE SGLE BAT.     SMYTHE SMYTHE"OH, YOU REMD ME OF MY DGHTER BACK HOME." PORTRAYED BY: MICHAEL BYRNEAN OLD ENGLISH SOLDIER WHO LTS AFTER MURRON. ABIVE PARENTS: HE MENTS TO MURRON THAT SHE REMDS HIM OF HIS DGHTER, THEN TRI TO RAPE HER RIGHT AFTER. THE IMPLITNS N'T BE MORE OBV. ATTEMPTED RAPE: WALLACE ARRIV TIME TO PULL HIM OFF OF MURRON. CHEKHOV'S GUNMAN: EARLIER, HE IS SHOWN LEERG AT MURRON AFTER LORD BOTTOMS TAK MORRISON'S WIFE AWAY. DIRTY OLD MAN: IS CLEARLY OLR THAN MURRON BUT LTS AFTER HER. EVEN EVIL HAS STANDARDS: DPE HIS ACTNS, MURRON'S EXECUTN PROMPTS HIM TO LOOK AWAY. IMPALED WH EXTREME PREJUDICE: HAMISH IN THE BACK: HE ATTEMPTS TO DUEL WALLACE DURG HIS UPRISG, BUT HAMISH KILLS HIM WH AN AXE THE BACK. OLD SOLDIER: IS LIKELY THE OLST ENGLISHMAN AT LANARK. SMALL ROLE, BIG IMPACT: HIS ATTEMPT TO RAPE MURRON LEADS TO HER EXECUTN, WHICH MOTIVAT WALLACE TO REVOLT. WOULD H A GIRL: ASI OM THE ATTEMPTED RAPE, HE BACKHANDS MURRON AFTER SHE B HIS FACE.OTHERS

The greatt exceptn may be the erotic stature Victory, moled on Cavelieri, a lover also referenced Michelangelo's homoerotic poetry as his valry man, acrdg to historian Rictor Norton. La Boetie enjoyed a certa level of fame, achieved through polil disurs, when he met Montaigne around 1557 and the two would spend four years together, at which time the prcipl of civil disobedience matters of love beme stilled Montaigne, acrdg to Robert Aldrich and Garry Wotherspoon's Who's Who Gay and Lbian History. The work also ntas the clearly homoerotic tenncy of showsg many of William's more forbidn sir, such as his pg Son 20 for the "master mistrs of my passn.

At the risk of own life at a time when some of his relativ were executed for homosexual sir, Ban had numero relatnships wh men. Arngelo Corelli and Matteo FornariCorelli, one of the most fluential posers of the 17th century, lived Rome among a circle of gay artists who had favor wh Cardal Pietro Ottoboni and therefore enjoyed a certa level of discretn. Giuliano DamiandGian GastoneGian Gastone, the last grand de of the Medici dynasty, lived an outwardly fay liftyle one of the few plac Europe to ndone homosexualy.

Unlike many of his gay anctors, he fathered no children.

MATTHEW GONG, GAY MORMON, REFLECTS ON HIS JOURNEY OM NER WAR TO NER PEACE

So Longshanks’ son, Prce Edward, as played by Peter Hanly, is tablished as gay sometime between five and 20 sends after his first appearance onscreen, durg his marriage to Isabella of France, which he mostly spends lookg back at his tsted nfidant, English Jim Morrison.

What I n tell you is that as poorly as Braveheart handl this, Game of Thron do not pict, say, Loras Tyrell’s homosexualy wh much more licy — jt more nudy.